#James Creative Arts & entertainment Company

[jules-has-notes]

The Disney Showman (Unexpected Musical) — PattyCake Productions music video

Nostalgia can be a powerful force. The Greatest Showman portrays P.T. Barnum as a dreamer who wanted to entertain people above all else. There is a very similar air to the general perception of Walt Disney. Both men were, of course, much more complicated than their public personas, but the parallels were too strong for the PattyCake guys to resist. Especially since both Tony and Layne had worked at Disney World, performed on Disney cruises, and collaborated on projects with the company at large. So combining the Showman music with a visual retrospective of Walt's life was a perfect fit.

Details:

title: Unexpected Musicals — The Disney Showman

performers: D.J. Muto, Paul Kaleka, & James Keaton (Walt Disney); Eli Jacobson (Roy Disney / featured vocals); Jonathan Timpanelli & Joey D'Angelo-LaJoie (Robert & Richard Sherman); Olivia Adkins (Snow White model); Amy Garton (Julie Andrews); Isabella Muto (Shirley Temple); Jacob McAlister, David Kotary, James Berkley, Domenic Servidio, Chadd Winston, & Eduardo Marques de Oliveria (animators); Alexander Browne (animator / Mouseketeer); Rachel Copeland Evans, Gizelle Pagan, & Darlene Chudinski Henry (Mouseketeers); Brad Pettit (Mouseketeer / chimney sweep); Jason Tibbs, Michael Rundy, Matt Hudson (chimney sweeps); Lauriel Marques de Oliveria, Grace Flaherty, & Sonia Roman (inkers & painters); Hannah Laird, Tony Wakim, Layne Stein, & Lilly Kolb (featured vocals)

original songs / performers: "Rewrite the Stars", "A Million Dreams", & "Come Alive" by the cast of The Greatest Showman (2017); "Zip-A-Dee-Doo-Dah" by James Baskett in Song of the South (1946); "I Got No Strings" by Dickie Jones in Pinocchio (1940); "You Can Fly! You Can Fly! You Can Fly!" by Bobby Driscoll, the cast of Peter Pan (1953), & The Jud Conlon Chorus; "Mickey Mouse Club March" by the cast of The Mickey Mouse Club (1955)

written by: "Rewrite the Stars", "A Million Dreams", & "Come Alive" by Benj Pasek & Justin Paul; "Zip-A-Dee-Doo-Dah" by Allie Wrubel & Ray Gilbert; "I Got No Strings" by Leigh Harline & Ned Washington; "You Can Fly! You Can Fly! You Can Fly!" by Sammy Cahn & Sammy Fain; "Mickey Mouse Club March" by Jimmie Dodd

arranged by: Layne Stein & Tony Wakim

release date: 2 March 2018

My favorite bits:

combining the Disney fanfare with instrumentation from "Rewrite the Stars"

young Walt sketching Oswald the rabbit, followed by adult Walt creating Mortimer Mickey Mouse

the newspaper headline noting that Disney's first studio failed at the start of "Come Alive"

those extremely perky Mouseketeers

Tony and Layne doing their best faux-Cockney accents for the chimney sweeps' vocals

showing footage from the actual parks

elder Walt coughing as he walks away, a somber sign of the lung cancer that took his life

returning to young Walt still dreaming of ♫ "the world I'm gonna make" ♫ that we've just seen

Trivia:

The actors playing young Walt Disney and Shirley Temple are siblings.

James is yet another of Tony's fellow alumni from the "Beetlejuice Graveyard Revue" show at Universal Studios, having played BJ himself for many years.

The subtle special effects makeup that transformed James into Walt was created by Andy Wright at Makeup and Creative Arts, and was applied by Rick Underwood.

This video was filmed on location at the MBS Equipment Company warehouse space in Orlando, using some of their lighting equipment. There is also additional footage from both Disneyland and Disney World.

PattyCake garnered some praise from several of their fellow former theme park cast members in the YouTube comments for both the accuracy of the behind-the-scenes imagery and the celebration of the Disney legacy.

As they did with their "La La Land" video, PattyCake highlighted their attention to detail with a series of "Double Take" posts on social media, comparing shots from the video with the iconic moments they had recreated.

As a bonus, the thumbnail for the video itself is a recreation of a photo of Disney that was also used as the cover art for PBS's episode of American Experience about him.

[are-they-z]

Supporters of Creative Community For Peace Open Letter (Support of Israel) - Part 2/2

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Shyla La’Sha, Actor

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Tim Blough, Actor

Cathy Sandrich Gelfond, Casting Director, Mackey/Sandrich Casting

Josh Lieberman, Agent, Creative Artists Agency

Mark Silverman, President & COO, Fox Sports

Danielle Cohen, Global Operations and Distribution Executive

Heidi Kozak Haddad, Writer/Actress/Producer

Steven Adelson, Director/Producer, Breakout Pictures Inc

Michelle Hansen Como, Story Developer

Justin Kalifowitz, Founder & Chairman, Downtown Music Holdings

Sherrill Hayes, Writer

Andrew Bergman, CEO, Downtown Music Holdings

Peter Lewit, Managing Partner, Davis Shapiro Lewit & Grabel, LLP

Binta Niambi Brown, Talent Manager, Omalilly Projects

Andrew Howard, Personal Manager, Shelter Entertainment Group

Brenda Kyle, Television Executive

Chris Hartung, Musician

Aidan J. Crowley, Actor/Producer

JoAnne Ruggeri, Arts Administrator

Rona Menashe, Co-CEO and Co-President, Guttman Associate

Lizzie Friedman, Producer/Partner, Priority Pictures

Michael Rauch, Showrunner

Yael Bergman, Producer/Writer, YB Productions

Marissa Nadel, SVP, Integrated Marketing, Paramount

Paul Simpson, Actor

Alan Gary, Actor/Writer, Too Much Fun Productions, Inc.

Eric Gault, Musician

Noah Morris, Writer/Producer/Actor, At Liberty Entertainment Studios

Steve Vitolo, CEO, Scriptation

Noel Ashman, Film Producer/Director

Brian Ash, Writer/Producer

Keith J. Klein, Media Director

William Jeffcock, Director

Jennifer Peralta-Ajemian, Founder/Casting Director, JPA Casting

Ari Roussimoff, Director/Artist

Garry Schyman, Composer, Garry Schyman Productions

Carol Berke, Color Designer, Walt Disney Company

Ari Lubet, Manager, 3 Arts Entertainment

Samantha Korn, Talent Agent, WME

Shari Shankewitz, Partner, WME

Daniel Rak, Agent, WME

Gabriella Shink, Talent Agent, WME

Anna Anna, Agent, WME

Rachel Goldberg, Director

Hilary Michael, Agent, Partner & Co-Head of Literary Packaging, WME

Max Maulitz, Agent, WME

Nicole Rosen, Producer, Ladybug Productions

Agnieszka Kolek, Artist

Jeremy Drysdale, Screenwriter

Samantha Leon, Talent Agent, WME

Alyssa Reuben, Agent, WME

Jeffrey Schnabolk, Senior Manager, IMG Models

Caroline Gold, Writer

Natalie Haverstock, Artist, Miss Ballooniverse Ltd

Mina Kupfermann, Artist

Alan Chebot, Director/Executive Producer, Parallax Productions, Inc.

Wade Brown, Writer

Anna-Sue Greenberg, Producer, Facet4 Media

Sheri Kelton, Manager, SRK Entertainment

Euphrosene Labon, Writer, Wise El Co

Abraham Hoschander, Attorney and Radio Talk Show Host

Nancy Josephson, Partner, WME

Nathan Ross, Film/TV Producer, Lilyrose Productions Inc.

Howard Klein, Partner, 3 Arts Entertainment

Amir Shahkhalili, Agent, WME

Andrea Cayton, Philanthropist

David Boren, Partner, Ritholz Levy Fields LLP

Marc Emert-Hutner, Vice-President, Membership, Pop/Rock, ASCAP

Sara Laffer, Executive, WME

Orna Rachovitsky, Actress/Producer/Filmmaker, Goldart Films

Orestes Matacena, Actor/Producer/Writer/Director, Goldart Films

David Herman, Documentary Director, Double Shot Films

Kos OmIsrael, CEO, Kos Entertainment

Dolores Delaney, Writer

Rhonda Gale, Business Affairs Consultant

Kirk Acevedo, Actor

Talin Chaturantabut, Actor

John Winfield, President and Chairman, InterGroup Corp.

Neil Blair, Founding Partner, The Blair Partnership

Marilyn Lindsay, Production Accountant

Amanda Alley, Creative Executive, Skydance Media

Jim Jackoway, Attorney, Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner & Klein

Ben Jacobs, Writer

Steven Keslowitz, Attorney and Author

Aaron Wilson, Writer/Artist

Richard Cannon, Photographer

Nina Mueller, Translator & Actor, COMM-art

Leo Pearlman, Managing Partner, Fulwell 73

Nicholas Frenkel, Partner, 3 Arts Entertainment

Rebecca Wicking, Actor/Singer

Mark Mason, Playwright

Keith Lucas, Filmmaker, LBMC

Joanne Horowitz, CEO, Joanne Horowitz Management

Rod Lurie, Film Writer/Director, Perfection Hunter Productions

Raquel Munoz, Production Executive

Scott Baker, CEO/Founder, RiverArch Ventures LLC

Alexander Ney, Artist

Joel Ney, Independent Creative

Frank Eckhardt, Artist

Noah Munro Lehrman, Musician/Writer

Bar Maman, Artist, Art by Bar

Jamie Conviser, Music Producer, The Walt Disney Company

Roland Ronge, Photographer/Artist

Dvora Englefield, Partner/Head of Music Artist Strategy, WME

Brian Ross, Writer/Producer

David Sacks, Executive Producer

Hannah Lowy, Writer/Director

Bernd Schuller, Artist & Scientist

Will Daws, Creative Director, Plum Pictures

Rinne B. Groff, Playwright/Performer

Lori Silfen, Head of MGM Music, MGM/Amazon Studios

Jacob Elyachar, Chief Content Producer-Writer/Podcast Host

Michelle Jubelirer, Chair & CEO, Capitol Music Group

Andrew Heinze, Playwright, New York City, American Renaissance Theater Company

Adam Butterfield, Producer/Actor

Lisa Mierke, Manager, Mosaic

Bruce Kirschbaum, Writer/Producer

Chaim and Stephanie Glicken, Co-Founders, Digilicious Media LLC

Julia Rymer Brucker, Artist/Art Educator

Lloyd Braun, Producer

Sarah Agor, Actress/Producer

Nathan Ross, Producer

Jonnie Forster, Founder, The Penthouse

Sarah Ulicny, Writer

Holly Hubsher, SVP, Bay Mills Studios

Michael Rubinoff, Theatre Producer

Bruna Papandrea, Founder/Producer, Made Up Stories

Mitchell Akselrad, Writer/Producer

Liran Nathan, Actor

Fred Raskin, Film Editor

Sasha Valenti, Artist

David Friendly, Film/TV Producer, Friendly Films

Allison Eden, Glass Mosaic Artist

Sasha Valenti, Artist

Rachel Morrissey, Artist

Lisa Edelstein, Actress/Artist

Harel Sharon, Editor In Chief, CON-ART magazine

Wyatt Benny, Songwriter/Filmmaker, 327 Films

David Hedges, Writer

Seth Saltzman, Musician/Music Professional

Zoe Manor, Designer/Producer

Emily Leonard, Music Talent Publicity Assistant, The Lede Company

Victor Fresco, Writer/Executive Producer

Adam Shulman, Manager/Producer, Anonymous Content

Sarah Flack, Film Editor

Steve Sackstein, Background Actor

[musemash]

Gallery: 1 It's Apes-Ma! It's Old Fart! No, It's The Blimp! 2 Don & Jan Van Vliet In 1971 3 Safe As Milk Promo 4 Strictly Personnel Masquerade 5 The Captain's Day Job 6 Hitting The Big Time 7 Trout Mask Picnic 8 Shiny Beasts Of Thought 9 Trout Mask Fan Art 10 Don's Gift To Gary Lucas

THE ARTIST FORMALLY KNOWN AS DON VAN VLIET – playlists by Aeon 999 / revised & expanded Feb 26

Today marks the birthdate of the truly legendary DON VAN VLIET – the artist formerly known as the founder of the MAGIC BAND. Accordingly, MFF is presenting a two-part homage to CAPTAIN BEEFHEART, which features: the best available live performances; all of his official recordings; lots of alternative takes; a variety of entertaining poetry readings; and galleries from his major art exhibitions.

A MONUMENTAL PRODIGY OF IMAGINATION – a retrospective by David D. Fowler

For one fleeting, golden moment, the most uncompromisingly experimental album in the history of rock music outsold hit recordings by the Beatles, Pink Floyd and the Rolling Stones.

The album was TROUT MASK REPLICA; and the occasion was the death of its chief creator, one Don Van Vliet – better known as the formidable Captain Beefheart. The good Captain sailed his stalwart ship into the next world’s ocean on December 17, 2010.

By that time, Trout Mask had long ago earned its status as an iconic work of art – a wild and rigorous concoction of surreal lyrics, crazed blues and free jazz explosions, imposed on a foundation of highly structured electric polyrhythms. It was the product of a creative confrontation between the brilliant and sometimes tyrannical Van Vliet, and the innovative virtuosos of the Magic Band.

To the best of my knowledge, Beefheart ceased recording music in the early 1980s; but the legacy of the music has been perpetuated in recent years, by further performances and recordings featuring members of various incarnations of the Magic Band.  

Don Van Vliet was a monumental talent, on the order of Igor Stravinsky, Pablo Picasso, and James Joyce – and he excelled in the art forms of each of those masters: music, painting and writing. While best known for the musical output of his Beefheart persona, Van Vliet had two other key artistic phases.

He first drew attention as a child prodigy, crafting clay sculptures of animals on a community TV show. He pursued music in his early 20s; and after close to two decades of performing, recording, and struggling with record companies, he abandoned music and the Beefheart moniker – and started a new career as a painter, under his legal name.

In this final phase, which lasted for more than 25 years, he achieved a high degree of recognition for his quirky subject matter and vivid use of color; and for the first time, he managed to make a decent living from his creative endeavors.

But it is primarily Van Vliet’s music which has secured his status as a 20th century giant. In addition to Trout Mask, his most unconventional work can be found on albums such as LICK MY DECALS OFF BABY, SAFE AS MILK, MIRROR MAN, SHINY BEAST, STRICTLY PERSONAL, DOC AT THE RADAR STATION, ICE CREAM FOR CROW, and the original version of BAT CHAIN PULLER.

He stretched artistic boundaries in a unique and refreshing way. The resulting audio conglomeration incorporated explorations of complex and jaggedly dissonant melodic inventions; densely evocative flights of poetry; spontaneous and uninhibited jazz improvisation; quirky and unexpected bits of humour; and fiery blues vocalizing that took no prisoners.

In the process, he influenced some of the more significant figures of the past several decades, including performance artist LAURIE ANDERSON, art rock goddess PJ HARVEY, Talking Heads mastermind DAVID BYRNE, Pere Ubu trickster DAVID THOMAS, Public Image Limited maverick JOHN LYDON, and renaissance humanoid TOM WAITS,

Probably the best presentation of his musical output is a CD box set of rarities entitled GROW FINS, released in 1999, which provides an excellent overview of Van Vliet’s 16-year stint as the Captain. It contains many unreleased gems from his earlier years, and a good variety of live tracks spanning his entire career.

It also includes a CD of backing tracks from the Trout Mask sessions, which reveals how extraordinarily disciplined the music actually was, under the surface chaos. The big selling point is an enhanced CD of performance footage from the late ‘60s and early '70s. The creativity of the man’s work was awe-inspiring, and this fine release does him real justice.  

Another way to remember the man, of course, is through his paintings. The finest showcases of his paintings are in two books: STAND UP TO BE DISCONTINUED; and SKELETON BREATH, SCORPION BLUSH. Many of his visual works can be viewed online by going to the fan-created collections in our BEEF ART section.

I readily concede that much of Van Vliet’s more eccentric musical expressions can be an acquired taste. But once the unwary pilgrim stumbles upon and succumbs to the siren lure of his gentle, dulcet tones and soothing maladies (um, melodies), she or he will run the risk of becoming forever enthralled.

Some of the very finest pearls of Beefheart’s musical imagination can be found in the BEEF BROTH, BEEF ALTS, and BEEF STEW playlists. They include lots of outstanding concert recordings; intriguing outtakes; imaginative videos by PlasticDada II, and various other fans; and numerous collaborations with FRANK ZAPPA.

Also featured are key folks I like to call 21st Century Quakers. I'm referring to gifted musicians who have continued to perform Van Vliet's challenging music – such as NONA HENDRYX, FREDDIE WADLING, JOLENE GRUNBERG, and MIKE WATT. Most notably, I appreciate the work of JOHN FRENCH, MARK BOSTON, DENNY WHALLEY, and other members of the revived MAGIC BAND – as well as alumni such as GARY LUCAS, MORIS TEPPER, BILL HARKELROAD, and JEFF COTTON.

At the bottom of this page, you'll find a link to our companion post, featuring Van Vliet's complete discography; a comprehensive collection of his off-kilter, confounding, and/or endearing media appearances; and a generous selection of his fanciful paintings. You'll also see a link to our birthday tribute to Beefheart rival and friend, head MOTHER Francis Vincent Zappa.

In conclusion: Methinks y'all (and your squids) will have a fast and bulbous time eating dough in a polythene bag with a tapered tin teardrop that is tight also. Just dig it! (You earn 10 points if you get this dreadful joke, and at least pretend to laugh).

BEEF BROTH Captain's Mic Drop https://www.youtube.com/watch?v=4ozX5EZmcy4 Fast 'N' Bulbous 1 https://www.youtube.com/watch?v=V3ZSMQE3V0w Van Vliet Medley https://www.youtube.com/watch?v=2McQ-N1l0B4 Harp Boogie http://www.youtube.com/watch?v=bt70hrY9Fuk Metal Man Has Won His Wings https://www.youtube.com/watch?v=cLM4o7nKcq0 Coming To A Closet Near You https://www.youtube.com/watch?v=CzL8P8724jw Pachuco Cadaver 1 https://www.youtube.com/watch?v=Qy4lpTF-fk0 The Grand Wazoo https://www.youtube.com/watch?v=quxCl-kZ8xo Mirror Man https://www.youtube.com/watch?v=O9UKANkpPLI Gimme Dat Harp, Boy https://www.youtube.com/watch?v=2jFiMh6d-hs Obeah Man https://www.youtube.com/watch?v=lBOOTySmj0k Sun Zoom Spark 1 https://www.youtube.com/watch?v=_cEafOsLZZk Diddy Wah Diddy https://www.youtube.com/watch?v=9XcdG_sXZjA Party Of Special Things To Do https://www.youtube.com/watch?v=e5Usyg14EkM Old Folks Boogie https://www.youtube.com/watch?v=CCApNYi4cL8 Fast 'N' Bulbous 2 https://www.youtube.com/watch?v=YDHdloTgZKw --------------------------------------------------------------------------- Natchez Burning 1 https://www.youtube.com/watch?v=szbim_pFxh8 Car Noise https://www.youtube.com/watch?v=6q1BMsLJDCg Somebody's Leaving https://www.youtube.com/watch?v=qBIRpkKseag Guitars, Wood Guitars https://www.youtube.com/watch?v=RdWhgK628Ho Key To The Highway https://www.youtube.com/watch?v=WWnwICQGPr0 Sit Through This https://www.youtube.com/watch?v=R0vRDn-qaL8 Flat Mattress https://www.youtube.com/watch?v=dP44r_ICH84 Seam Crooked Sam 1 https://www.youtube.com/watch?v=VtDqqY6CV5c Seaweed Beard Foam Bone Tree https://www.youtube.com/watch?v=UFWL5-RvLO8 Triple Combination https://www.youtube.com/watch?v=Zmpmz4Zt95I The Word Crawled Over The Razor Blade https://www.youtube.com/watch?v=-pY9a5J1Kbw Well Well Well https://www.youtube.com/watch?v=cJy6ieYHcTc Pena https://www.youtube.com/watch?v=rh5qo4ejHSE The Host, The Ghost. The Most Holy-O 1 https://vimeo.com/89037131 Dachau Blues https://www.youtube.com/watch?v=dFPdraK3XNY Veteran's Day Poppy 1 https://www.youtube.com/watch?v=a4NnsCklX5E Natchez Burning 2 https://www.youtube.com/watch?v=S3Or6rLZP9Y --------------------------------------------------------------------------- Black Snake Moan 1 https://www.youtube.com/watch?v=DTzsIbNoOMo Evening Bell Worktape https://www.youtube.com/watch?v=BBqO-KqsdSc Deputy's Horse https://www.youtube.com/watch?v=m0VkaI1TM5M Ah Feel Like Ahcid https://www.youtube.com/watch?v=B2p32jKnkZM Tiger Roach https://www.youtube.com/watch?v=MK8enLm4W64 Smokestack Lightning / Kandy Korn 1 https://www.youtube.com/watch?v=cZXlKiHclIY Run Paint Run https://www.youtube.com/watch?v=gzZelEsfBac Steal Softly Thru Snow 1 https://www.youtube.com/watch?v=I-kH_aNnNiA 25th Century Quaker https://www.youtube.com/watch?v=MdnaOQLfIyc The Tired Plain https://www.youtube.com/watch?v=256q00qdiRg Hard Workin' Man https://www.youtube.com/watch?v=bpi2neOCSl4 Fallin' Ditch https://www.youtube.com/watch?v=8z5Cp54QZr8 Electricity 1 https://www.youtube.com/watch?v=0NYSeJMA4oU Skeleton Makes Good https://www.youtube.com/watch?v=Nb9-f2yU-q8 Moonlight On Vermont https://www.youtube.com/watch?v=lQXmnpYuN9M Bat Chain Puller 1 https://www.youtube.com/watch?v=TCtJyG-WTmw Big Eyed Beans From Venus 1 https://www.youtube.com/watch?v=Wt29TUmLed8 --------------------------------------------------------------------------- Black Snake Moan 2 https://www.youtube.com/watch?v=NNRduVbuW88 Cathy's Clone https://www.youtube.com/watch?v=ye_kp4OevlI Hot Head https://vimeo.com/395584038 Alley Cat http://www.youtube.com/watch?v=Ly71qrLAe4g Sure 'Nuff 'n Yes I Do https://www.youtube.com/watch?v=pec4N0rSOOc King Bee https://www.youtube.com/watch?v=AtB2g6A7Ucw Scratch My Back https://www.youtube.com/watch?v=vSVxoiztNz4 Somebody Walkin' In My Home https://www.youtube.com/watch?v=i8OOsBVIxiY Grow Fins https://www.youtube.com/watch?v=yQE852F4_qk Same Old Blues https://www.youtube.com/watch?v=tp1UKckH1yk Click Clack https://www.youtube.com/watch?v=qcYtqr_Xfro Dirty Blue Gene http://www.youtube.com/watch?v=9dw6ler-Cd0 Willie The Pimp Remix https://www.youtube.com/watch?v=06fgnvzCa3w Vampire Suite https://www.youtube.com/watch?v=ISHXDNXKvUQ Black Snake Attack https://www.youtube.com/watch?v=MNiFuIVqinU --------------------------------------------------------------------------- Frying Pan https://www.youtube.com/watch?v=Z6EDwkkXwdI Little Scratch http://www.youtube.com/watch?v=vTQmbIXkUuA Upon The My-O-My https://www.youtube.com/watch?v=dq6fCOGyVJg Ella Guru https://www.youtube.com/watch?v=Sew2ybdrTLY Moonchild https://www.youtube.com/watch?v=sp_a8N_y0EU I'm Glad https://www.youtube.com/watch?v=DRmVi8kOJ8M New Electric Ride https://www.youtube.com/watch?v=J3llLBYeymM Kiss Me, My Love http://www.youtube.com/watch?v=KRFXMF18nB8 Magic Be https://www.youtube.com/watch?v=F1m19JSrFHg This Is The Day https://www.youtube.com/watch?v=o0VqoaBlfsM Observatory Crest https://www.youtube.com/watch?v=jWozNJm5nrA Lazy Music https://www.youtube.com/watch?v=vEW_SNluF94 Further Than We've Gone https://www.youtube.com/watch?v=YD1RWUut6ZM Here I Am, I Always Am http://www.youtube.com/watch?v=wIuAmzTPdYY Blue Jeans & Moonbeams https://www.youtube.com/watch?v=fUoz9o2nXz4 Autumn's Child https://www.youtube.com/watch?v=26AsA5L6AoY --------------------------------------------------------------------------- Suction Prints https://www.youtube.com/watch?v=eOthSHzWZVs Parachoke Stare https://www.youtube.com/watch?v=RK_kWk_TLwA Moody Liz Acetate   https://www.youtube.com/watch?v=-BYTD7wZVU8 The I Saw Shop https://www.youtube.com/watch?v=qkEoIyfTOnc Flaming Autograph https://www.youtube.com/watch?v=JeWWVzxHN6A Gill https://www.youtube.com/watch?v=2qh9k1YUr9o Semi Multicoloured Caucasian https://www.youtube.com/watch?v=KTFoS6Oe8Fk The Sand Failure https://www.youtube.com/watch?v=6GjEonVafn4 Flower Pot https://www.youtube.com/watch?v=O74AMcKUMP4 Away From Survival https://www.youtube.com/watch?v=gwYjgfXXVc4 When Big Joan Sets Up https://www.youtube.com/watch?v=EMGv2ssIIbc Doped In Stunned Mirages https://www.youtube.com/watch?v=JeTbfqhG0m8 Mellotron Improv 1980 https://www.youtube.com/watch?v=0Q5JzEbkOz8 The Dust Blows Forward https://www.youtube.com/watch?v=WeqYapIndxw Betty Boop In Blunderland https://www.youtube.com/watch?v=TZGsceyrr7o Veteran's Day Poppy 2 https://www.youtube.com/watch?v=U3NMpOgyJNc --------------------------------------------------------------------------- One Nest / Harry Irene https://www.youtube.com/watch?v=LJNC1nrVPhE Drink Paint Run Run http://www.youtube.com/watch?v=tIwsi-Nu7gk Space Age Couple https://www.youtube.com/watch?v=rTc96RwgeqU The Sheriff Of Hong Kong https://www.youtube.com/watch?v=k45z4SU-ncs Pompadour Swamp https://www.youtube.com/watch?v=AuRRDE4KCiY Circumstances http://youtube.com/watch?v=Bsr7YQj4b00 Zig Zag Wanderer https://www.youtube.com/watch?v=xh7dJo0e6Uo The Clouds Are Full Of Wine https://www.youtube.com/watch?v=QItDTQigeeM Abba Zabba https://www.youtube.com/watch?v=1SbgbRPMBMg Doctor Dark https://www.youtube.com/watch?v=-QEXOELrRSM The Witch Doctor Life https://www.youtube.com/watch?v=E9042-woelM Japan In A Dishpan https://www.youtube.com/watch?v=sfYYtqvcl9Y The Blimp https://www.youtube.com/watch?v=gZXykocNnyM --------------------------------------------------------------------------- One Red Rose That I Mean https://www.youtube.com/watch?v=rU2JE7L124A Bad Ronald Baked A Wooden Hairpie https://www.youtube.com/watch?v=_Jk__MA_QD4 I Wanna Find A Woman That'll Hold My Big Toe https://www.youtube.com/watch?v=8dM2eLYi5nM Rollin' & Tumblin' https://www.youtube.com/watch?v=CS-iJtRFpZo Decals Plunderphonics Mix https://www.youtube.com/watch?v=d3qIHJKkuac Crazy Little Thing https://www.youtube.com/watch?v=Pe0NnUPSqfU Pachuco Cadaver 2 https://www.youtube.com/watch?v=OYSJ2PYrpzA When I See Mommy I Feel Like A Mummy https://www.youtube.com/watch?v=TmlwNrA7RfY Ricochet Man https://www.youtube.com/watch?v=TAZw1QLwkUA Smithsonian Institute Blues https://www.youtube.com/watch?v=g8LLN0NEwQg Petrified Forest https://www.youtube.com/watch?v=8vTnosQE6_o Three Months In The Mirror https://www.youtube.com/watch?v=PRJbA1dY9pM The Past Sure Is Tense https://www.youtube.com/watch?v=G3LZ1kj9sqs --------------------------------------------------------------------------- Blues Jam https://www.youtube.com/watch?v=7VKwxjW83A4 Hard Workin' Uncensored Man https://www.youtube.com/watch?v=oFGbegLCyo8 Ashtray Heart https://vimeo.com/385867940 Plastic Factory https://www.youtube.com/watch?v=PXVb1R5sXsY Kandy Korn 2 https://www.youtube.com/watch?v=YzZv5iaz28E Dropout Boogie https://www.youtube.com/watch?v=6tZJF-n-LM4 There Ain't No Santa Claus On The Evening Stage https://www.youtube.com/watch?v=DkfcToGzybM Hoboism https://www.youtube.com/watch?v=BXlID_8vjHw The Torture Never Stops https://www.youtube.com/watch?v=1_aOyLYPuiI Electricity 2 https://www.youtube.com/watch?v=lh-x5AUhSNw Owed T'Alex https://www.youtube.com/watch?v=_I0MedAbx-o Clear Spot https://www.youtube.com/watch?v=kZq6K1CpLaI Yellow Brick Road https://www.youtube.com/watch?v=d_F4DXfBg4g Seam Crooked Sam 2 https://www.youtube.com/watch?v=val6I22f7F8 Light Reflected Off The Oceands Of The Moon https://www.youtube.com/watch?v=3PSqSQlaSSA --------------------------------------------------------------------------- One Man Sentence https://www.youtube.com/watch?v=qJ2QCH3l5E8 Sun Zoom Spark 2 https://www.youtube.com/watch?v=zQNi6E-8W2Y Woe Is Uh Me Bop https://www.youtube.com/watch?v=-ESXjJgkTKQ Safe As Milk https://www.youtube.com/watch?v=Jm5-GUZYoWc Debra Kadabra https://www.youtube.com/watch?v=-3kEjC_Wlp8 Odd Jobs https://www.youtube.com/watch?v=cQYLA_Qr3vE The Man With The Woman Head https://www.youtube.com/watch?v=HqrHMb45wag Neon Meate Dream Of A Octafish https://www.youtube.com/watch?v=dppxcIAFucQ Sam With The Showing Scalp Flat Top https://www.youtube.com/watch?v=PWecfOKZCNY Making Love To A Vampire https://www.youtube.com/watch?v=zv51T8oG62M Beatle Bones 'N Smokin' Stones https://www.youtube.com/watch?v=tQLkIx0GaFA Spitball Scalped Uh Baby http://www.youtube.com/watch?v=ItqUIxoHnIg Tarot Plane https://www.youtube.com/watch?v=-1b5Plddvwg On Tomorrow https://www.youtube.com/watch?v=9iUa-3tycdo Golden Birdies https://www.youtube.com/watch?v=byX84Y0NABw --------------------------------------------------------------------------- Apes-Ma https://www.youtube.com/watch?v=mNqKMXmpZ-I Ant Man Bee https://www.youtube.com/watch?v=KQ6q9BH0XCQ Flash Gordon's Ape https://www.youtube.com/watch?v=y-mKosxyRkU Bill's Corpse https://www.youtube.com/watch?v=lryi22ZK0RM Tupelo, Mississippi https://www.youtube.com/watch?v=O-fR49nSI74 China Pig https://www.youtube.com/watch?v=LP24gbCSm1s Funeral Hill http://www.youtube.com/watch?v=6q2ZI6P2eZY Dachau Well https://www.youtube.com/watch?v=os_ycO0qCSY Trust Us https://www.youtube.com/watch?v=tbcUBJosySM The Host, The Ghost, The Most Holy-O 2 https://www.youtube.com/watch?v=K3BVm6BWRDw Bat Chain Puller 2 https://www.youtube.com/watch?v=L_dYmf7GLpA 1,010th Day Of The Human Totam Pole https://www.youtube.com/watch?v=2N6wza7I404 Veterans Day Shoes https://www.youtube.com/watch?v=LMXcU-6oJdE Big Eyed Beans From Venus 2 https://www.youtube.com/watch?v=jzXlvwTcLUU Don's Beatle Tribute https://www.youtube.com/watch?v=oV5Bd8Eu0ko

BEEF ART I Love Your Paintings, Don https://www.youtube.com/watch?v=mkFT3KKE2IM Captain Beefheart Radar Station http://www.beefheart.com/art/paintings/ http://www.beefheart.com/category/paintings/favourites/ Anton Kern Gallery https://www.youtube.com/watch?v=6fIwNOCPezs Fan Galleries https://www.pinterest.co.uk/gjukes1/don-van-vliet-captain-beefheart/ https://www.pinterest.ca/zjjenks/don-van-vliet/ https://www.pinterest.ca/timdayhuff/don-van-vliet/ https://nl.pinterest.com/bertdorrestijn/don-van-vliet-paintings/ ARTnews https://www.artnews.com/art-news/news/prices-climb-steadily-for-works-of-artist-musician-don-van-vliet-1594/#! Beefheart Portraits & Tributes https://fineartamerica.com/art/paintings/captain+beefheart

BEEF ALTS Trout Mask: Whitney Studios Session https://www.youtube.com/watch?v=gxvsN0TEWqQ Mu https://rockasteria.blogspot.com/2012/11/mu-band-from-lost-continent-1971-7274.html https://www.youtube.com/watch?v=ZRCsnrhVGdU&list=PLhEBA51qbhIpWANrnj-ZRi5u6qlC26vs_ Best Batch Yet, Bowery Poetry Club, NY 2011 https://www.youtube.com/watch?v=op7MS5zEYJg&list=PLA7E943FA6036B60A&index=1 Magic Band: Mallard https://www.youtube.com/watch?v=xOYp5OGIFc0 Journal Of The Plague Years 1 https://www.youtube.com/watch?v=d8yBucM_L68 Safe As Milk Acetates & Demos https://www.youtube.com/watch?v=bj7cy_APh5E I May Be Hungry, But I Sure Ain't Weird https://www.youtube.com/watch?v=A-leH1SXfQo&list=PLDBC95E0F22FC7EF4 Dissecting Beefheart: Isolated Tracks https://www.youtube.com/watch?v=yLWoIXJYYmA https://www.youtube.com/watch?v=jGHpl87PgEU&list=PLws2A2PIdGTOhSZ7LiOl_UovpO5UsSFn9 Decals & Spotlight Rehearsals https://www.youtube.com/watch?v=-IzGswfAW3k --------------------------------------------------------------------------- The Alternate Decals https://www.youtube.com/watch?v=WiGB0bV-FiA Spotlight Kid Outtakes https://www.youtube.com/watch?v=NCdwDSfsVFY Fast 'N' Bulbous: A Tribute To Captain Beefheart https://www.youtube.com/watch?v=hrhWNxYv9PI&list=OLAK5uy_nMfFbD0OC2xmrjMHddB3Abbv7XD3ZR0wA Trout Mask Instrumental Remix https://www.youtube.com/watch?v=8c3rwchYymY Beefheart Night At The Knitting Factory 2008 https://www.youtube.com/watch?v=E4_kyLI2swc https://www.youtube.com/watch?v=CeFxfG3A_Xw https://www.youtube.com/watch?v=laQ7EB4Mk_Y https://www.youtube.com/watch?v=RPbfG4shgsU https://www.youtube.com/watch?v=wLvMueZ-sGA https://www.youtube.com/watch?v=ILs0Z179kzQ Clear Spot Instrumentals https://www.youtube.com/watch?v=zRw1gIYKgSo Mallard: In A Different Climate https://www.youtube.com/watch?v=brUjlN8psmY Bat Chain Puller Album + Bonus Tracks https://www.youtube.com/watch?v=1SpO1pjBKAg Journal Of The Plague Years 2 https://www.youtube.com/watch?v=1oz44JKu-s8 Shiny Beast Sessions https://www.youtube.com/watch?v=gxmXjbMwBno --------------------------------------------------------------------------- Gary Lucas: Improve The Shining Hour https://www.youtube.com/playlist?list=OLAK5uy_n1GZrOZuK30qTCRFpa6xZgKvU4tjMei0M Ice Cream For Crow Rehearsal https://www.youtube.com/watch?v=NBZn9hydOAo Drumbo: City Of Refuge   https://www.youtube.com/watch?v=YJrQSL7tvPI Neon Meate Dream Of A Octafish https://www.youtube.com/watch?v=UBW6OKxCRxw&list=OLAK5uy_mw_i0rkEQQrwHyCrY_HTvP6O5tyBLEVJE Moris Tepper: Moth To Mouth https://www.youtube.com/playlist?list=OLAK5uy_m7ZfLVr3QrPmnCHns7RVA55_HIls53j0s Fast 'N' Bulbous: Pork Chop Blue Around The Rind https://cuneiformrecords.bandcamp.com/album/pork-chop-blue-around-the-rind Zoot Horn Rollo: We Saw A Bozo Under The Sea https://www.youtube.com/watch?v=CCkL6b6NkrQ The World Of Captain Beefheart, New York 2018 https://www.villagevoice.com/2017/11/09/how-nona-hendryx-captured-the-world-of-captain-beefheart/ https://www.youtube.com/watch?v=ADn643PUCeg Jeff Cotton: The Fantasy Of Reality https://www.youtube.com/playlist?list=OLAK5uy_mxO61KkGWF9tCyZtfhECxl6lzBJyR1Hss Trout Mask Replica: Full Remix 2022 https://www.youtube.com/watch?v=0GDC88xkwwQ&list=PLws2A2PIdGTMdnMyNrNcCKDqsfW11tmZn

BEEF ZAPPED The Captain & The Mothers: AMERICA'S HAD TOO DAMN MUCH TO THINK https://vimeo.com/799920521 1 Lost In A Whirlpool 2 San Ber'dino 3 Alley Cat 4 Find Her Finer 5 Willie The Pimp: 1987 Remix 6 Poofter's Froth, Wyoming 7 200 Years Old: Extended Edition 8 Orange Claw Hammer ------------------------------------------------------------------ Mothering The Captain: MUFFIN MAN'S DARK NIGHT OF THE SOUL https://vimeo.com/799923390 1 I Was A Teenage Malt Shop 2 I'm A Band Leader! 3 Charles Ives (The Blimp) 4 Lost In A Whirlpool: Vocal Only 5 Advance Romance 6 Willie The Pimp: Live Version 7 The Torture Never Stops 8 Muffin Man ------------------------------------------------------------------ Captain Of The Mothers: THE GRAND WAZOO'S JUBILEE BLIMP https://vimeo.com/799931229 1 Improv: El Paso 1975 2 Metal Man Has Won His Wings 3 The Blimp (Charles Ives) 4 Improv: Boston 1975 5 The Grand Wazoo 6 Tiger Roach 7 The Man With The Woman Head 8 Sam With The Showing Scalp Flat Top 9 Debra Kadabra 10 The Blimp Demo 11 Improv: Radio Broadcast 1975 12 The Blimp Redux

BEEF STEW Magic Band On The Wall, Manchester 2014 https://www.youtube.com/watch?v=Xk2gzXQ9-zc Classic Beefheart Interviews https://www.youtube.com/watch?v=NrZC_xVXcSo&list=PL8flSFeCsFvLg9_cUnwfnyw3ZmzGgiPJF Where The Action Is 1966 https://www.youtube.com/watch?v=BCLnoBSh5kk Avalon Ballroom, San Francisco 1966 https://www.youtube.com/watch?v=p4oXLsMoUo4 BBC Sessions, 1968 https://www.youtube.com/watch?v=2RyWJTCZ7T0 Freeman's Dancing School, Kidderminster 1968 https://www.youtube.com/watch?v=wNd3b0dp5sw Cannes Beach, 1968 https://www.facebook.com/eric.herrscher.9/videos/2591648864183907/ https://www.facebook.com/watch/?v=224356918568725 Festival Actuel, Amougies 1969 https://www.youtube.com/watch?v=xOTbaeO9yIU Pepperland, San Rafael, 1970 https://www.youtube.com/watch?v=SzhIXjRF4B8 Ungano's, New York 1971 https://www.youtube.com/watch?v=H_UOPME-c3o Agora Theatre, Cleveland 1971 https://www.youtube.com/watch?v=PD5r_fT7HS0 Ludlow Garage, Cincinnati 1971 https://www.youtube.com/watch?v=Tdgbmz9XxLI Pacific Coliseum, Vancouver 1971 https://www.youtube.com/watch?v=sZmEh_12jYw --------------------------------------------------------------------------- Beat Club, Bremen 1972 https://www.youtube.com/watch?v=G0d0rsW9p3I Royal Albert Hall, London 1972 https://www.youtube.com/watch?v=549qyiiRzQ4 Bickershaw Festival 1972 https://www.youtube.com/watch?v=8HmiLA-1n68 Rainbow Theatre, London 1973 https://www.youtube.com/watch?v=0VOyqW7RJzk Cowtown, Kansas City 1974 https://www.youtube.com/watch?v=q0wGohHIzXI Providence College 1975 https://www.youtube.com/watch?v=6xU0GzKOakc County Coliseum, El Paso 1975 https://www.youtube.com/watch?v=i-B9wATulss Music Hall, Boston 1975 https://www.youtube.com/watch?v=XvmHdcCLWRM https://www.youtube.com/watch?v=sZfQnyVe58w International Amphitheater, Chicago 1975 https://www.youtube.com/watch?v=BsTHgW3mSnI Roxy, Los Angeles 1975 https://www.youtube.com/watch?v=qBM8ofok25I Knebworth Festival 1975 https://www.youtube.com/watch?v=qmOiNnUVK-g --------------------------------------------------------------------------- Winterland, San Francisco 1975 https://www.youtube.com/watch?v=DxsTopAuw3k Keystone Korner, San Francisco 1976 https://www.youtube.com/watch?v=WzH6SEpdS2I Golden Bear, Huntington Beach 1977 https://www.youtube.com/watch?v=cL8egsX41U8 Nouvel Hippodrome, Paris 1977 https://www.youtube.com/watch?v=lyRTU4Dl_eU The Bottom Line, New York 1977 https://www.youtube.com/watch?v=E2RRqc3fN4o Keystone Korner, San Francisco 1977 https://www.youtube.com/watch?v=eNb9bL-MEus Red Creek Inn, Rochester 1977 https://www.youtube.com/watch?v=cec5yeyOIME My Father's Place, Roslyn 1978 https://pastdaily.com/2022/09/29/capt-beefheart-his-magic-band-live-at-my-fathers-place-1978-past-daily-soundbooth/ Golden Bear, Huntington Beach 1978 https://www.youtube.com/watch?v=-T7xx_ckLso Loughborough University 1980 https://www.youtube.com/watch?v=3jbJTmSj6OQ Elysées Montmartre, Paris 1980 https://www.youtube.com/watch?v=zpsS8nHocp4 --------------------------------------------------------------------------- Paradiso, Amsterdam 1980 https://www.youtube.com/watch?v=bq2Z1V0cwVo Whisky A Go Go, Hollywood 1980 https://www.youtube.com/watch?v=_cdE8NI-bdU Mudd Club, New York 1980 https://www.youtube.com/watch?v=hnMh5c6X3BQ Bayou Club, Washington 1980 https://www.youtube.com/watch?v=F19XrELoJVw Rotter's Club, Liverpool 1980 https://www.youtube.com/watch?v=chd6DMHFghY The Venue, London 1980 https://www.youtube.com/watch?v=O6ZvM12L6vA Vrije University, Brussels 1980 https://www.youtube.com/watch?v=KZOjZ9x9w0k My Father's Place, Roslyn 1980 https://www.youtube.com/watch?v=NLpXKk6VmSU Country Club, Reseda 1981 https://www.youtube.com/watch?v=T0NWCW1xBDk Commodore Ballroom, Vancouver 1981 https://www.youtube.com/watch?v=1G7Zz8mEX0Y Golden Bear, Huntington Beach 1981 https://www.youtube.com/watch?v=VPK0Z2a8G04 Don's 40th Birthday: Showbox, Seattle 1981 https://www.youtube.com/watch?v=5zbfthHENGY

THE CAPTAIN WHO SAILED DEEP INTO UNKNOWN SEAS https://musemash.tumblr.com/post/637810156655263744/gallery-1-shiny-beast-2-royal-hind-doer-3-beezoo THE INVENTOR OF THE MOTHERS AT 80 https://musemash.tumblr.com/post/638167879770128384/the-inventor-of-the-mothers-at-80-by-david-d

Gallery Credits: Image #1: @stuff_by_mark Image #2: Jim Marshall Image #9: David Fraiman

[pratiksha-more]

Exploring Creative and Media Industries Career Opportunities in the UK

The UK is known for its vibrant and diverse creative and media industries, which continue to grow and thrive. For international students and professionals interested in exploring a dynamic career path, these industries offer numerous career opportunities in the UK. From film and television production to digital marketing, advertising, and content creation, the creative sector is a crucial part of the UK economy. In this blog, we will explore the various career opportunities available, the skills required to succeed, and how international students can make the most of their time in the UK.

Key Career Paths in the Creative and Media Industries

Film and Television Production The UK has long been a hub for the global film and television industry, with London, Bristol, and Manchester being the primary centers of activity. Internationally acclaimed productions such as "Harry Potter," "James Bond," and "Game of Thrones" have all been filmed in the UK. The industry offers a range of exciting career opportunities, including roles in production management, directing, scriptwriting, cinematography, and post-production editing. With a growing number of film studios and production companies setting up in the UK, aspiring filmmakers can find ample opportunities to build their careers.

Advertising and Marketing Advertising and marketing are integral to the creative industry, offering vast potential for those interested in crafting compelling campaigns for brands and businesses. Careers in this sector include roles in copywriting, graphic design, digital marketing, brand management, and public relations. With the rise of digital platforms, marketers now focus heavily on online strategies such as social media marketing, search engine optimization (SEO), and influencer collaborations. Creative individuals with an eye for design, excellent communication skills, and a passion for innovation are well-suited for a career in advertising and marketing.

Digital Media and Content Creation In today’s digital age, content is king. The UK has witnessed a surge in demand for digital content creators, spanning industries such as media, publishing, fashion, and entertainment. Popular careers in this field include content writing, video production, animation, and graphic design. Digital platforms like YouTube, Instagram, and TikTok have given rise to a new generation of influencers and content creators, allowing individuals to monetize their creative work. Companies are increasingly seeking creative professionals who can develop engaging content that resonates with their target audience.

Music and Performing Arts The UK has a rich cultural history when it comes to music and the performing arts, offering numerous opportunities for those with a passion for the stage or music production. From recording engineers and sound designers to musicians, dancers, and actors, the creative possibilities are endless. London’s West End is renowned for its world-class theater productions, while cities like Liverpool and Manchester are famous for their music scenes. For international students, pursuing a career in music or performing arts can be an exciting way to break into the UK’s creative industry.

How International Students Can Benefit from Studying in the UK

For international students, studying creative and media courses in the UK provides direct access to one of the most influential creative industries in the world. Not only do UK universities offer a variety of programs in areas such as film, digital media, advertising, and performing arts, but they also provide opportunities to gain practical experience through internships, industry placements, and networking events. Many international students who study creative fields in the UK find that it enhances their career prospects, both in the UK and globally.

Additionally, UK universities are well-connected with leading media companies and creative agencies, giving students a chance to collaborate on real-world projects and showcase their talents. By enrolling in such programs, students can build a strong foundation for their future careers, develop key industry skills, and forge valuable connections that will help them succeed after graduation.

When considering study abroad options, the UK’s creative and media industries provide unparalleled opportunities for growth and development. Whether it’s gaining hands-on experience in a top-tier production company or learning from industry experts at a renowned institution, the UK offers a wealth of resources for aspiring creative professionals.

The Role of Overseas Education Consultancy

Navigating the application process for studying in the UK can be complex, especially for international students unfamiliar with the visa requirements, university programs, and career pathways available. This is where the expertise of an overseas education consultancy can be invaluable. These consultancies provide personalized guidance to students, helping them choose the right courses, universities, and career paths based on their interests and goals.

From assisting with visa applications to offering advice on accommodation and scholarships, an education consultancy can simplify the process of moving abroad for higher education. They can also connect students with internship opportunities, workshops, and industry events, helping them make the most of their time in the UK.

By working with a consultancy, international students can be better prepared to pursue careers in the UK’s creative and media industries. With the right support, students can transition smoothly into the workforce, explore exciting career opportunities, and build successful futures in one of the world’s most creative countries.

Conclusion

The UK’s creative and media industries offer a wealth of exciting career opportunities for international students and professionals. From film production to digital content creation, advertising, and performing arts, there is no shortage of paths to explore. By studying in the UK and leveraging the support of an overseas education consultancy, students can gain valuable experience, develop their skills, and build successful careers in this dynamic and fast-growing sector. If you’re passionate about creativity and media, the UK is the perfect place to pursue your dreams.

Read more:

Why Choose a Study Abroad Consultant for Your Overseas Education Journey?

Integrated Clinical Training: A Key Feature of MBBS Courses in the UK

[theultimatefan]

GSE Worldwide Acquires Net Results Marketing

GSE Worldwide (“GSE”), a premier sports and entertainment marketing and management company, is pleased to announce it acquired Net Results Marketing (“Net Results”), a leading sports, culinary and entertainment marketing company. Industry veteran and Net Results Founder and President Jeremy Steindecker, along with his team, will join GSE.

The deal comes on the heels of a strategic investment in GSE from BC Partners Credit, which enables the company to execute on its ambitious growth plan to expand and enhance its impressive talent practice and bolster its capabilities in brand services as well as property ownership and representation.  The acquisition of Net Results is the initial step in GSE’s aggressive multi-pronged strategy.

Through Net Results, GSE is adding corporate hospitality, property sales and activation, along with event management capabilities.  Additionally, the transaction further expands GSE’s footprint in talent representation through the management and marketing of a number of award-winning and nationally renowned chefs, including James Beard award-winning chefs Michael Solomonov, Gregory Gourdet, Valerie Chang and Nok Suntaranon. 

Net Results Marketing specializes in creating custom hospitality and event marketing programming for Fortune 100 companies and other corporate partners. Net Results also currently represents some of the most prestigious art fairs in the world for sponsorship sales and activation. The company recently showcased their extensive tennis industry experience to produce special events for the WTA Tour’s 50th anniversary and the Cincinnati Open's 125th anniversary.

GSE is as a leading sports agency, representing over 275 top athletes across golf, tennis and NFL, including two-time U.S. Open champion Bryson DeChambeau, American tennis stars Tommy Paul and Jessica Pegula, and Dallas Cowboys defensive end DeMarcus Lawrence. Its extensive experience with brand consulting and athlete talent marketing combine to create the most unique marketing opportunities available. As GSE continues to grow and look for strategic opportunities, Net Results offers yet another avenue of growth in a market heretofore untapped by GSE.

“GSE Worldwide is thrilled to add Jeremy - one of the most respected veterans in his space - and Net Results’ capabilities to our own, as our combined offering amplifies the scope and breadth of service we can provide to our clients and further diversify into new, but complimentary, lines of business,” said Michael Principe, CEO, GSE Worldwide. “Bringing Jeremy and Net Results into the fold marks an exciting time for us as we pursue our aggressive growth strategy with the continued support of Gatemore Capital Management and BC Partners Credit’s recent investment.   

After 35 years of building my company, I am excited about this new chapter of expansion and growth with GSE Worldwide,” said Steindecker. “My commitment to delivering superior creativity, attention to detail, and exceptional customer service will be further strengthened by GSE Worldwide’s reputation and scope, creating elevated opportunities for our valued clients.

[yeartoagecalculators]

What Year Was It 101 Years Ago? Exploring the Past in 1922

As we journey through the corridors of time, it's fascinating to pause and reflect on the events that shaped the world we know today. One such momentous juncture lies 101 years in the past – the year 1922. Transporting ourselves back to this significant year, we unearth a treasure trove of history, culture, and innovation that continue to resonate in our modern lives, try now.

The Global Landscape

The year 1922 was a time of transition. The echoes of World War I still reverberated across nations, and societies were grappling with the aftermath of unprecedented destruction. In this post-war era, countries were navigating the intricacies of rebuilding and negotiating new diplomatic relationships. The Treaty of Rapallo, for instance, marked a significant pact between Germany and the Soviet Union, laying the groundwork for future geopolitical dynamics.

Cultural Milestones

1922 was also a year of remarkable cultural achievements. In the literary world, James Joyce's groundbreaking novel "Ulysses" was published, pushing the boundaries of narrative style and challenging societal norms. This masterpiece continues to be celebrated for its innovative approach to storytelling.

Art and entertainment flourished as well. The silent film "Nosferatu," a classic adaptation of Bram Stoker's "Dracula," made its debut, leaving an indelible mark on the horror genre. Meanwhile, the world saw the first-ever issue of "Reader's Digest," a publication that would go on to become a beloved source of condensed articles and stories.

Scientific Advancements

Advancements in science during this time laid the groundwork for future innovations. The discovery of insulin by Frederick Banting and Charles Best revolutionized the treatment of diabetes, saving countless lives. Additionally, archaeologist Howard Carter unearthed the entrance to the tomb of Tutankhamun, unveiling a trove of ancient artifacts that provided invaluable insights into Egyptian history.

Technological Progress

The year 1922 witnessed pivotal technological breakthroughs that shaped the trajectory of the 20th century. The British Broadcasting Company (BBC) was founded, heralding a new era in mass communication. With the first radio broadcasts, people around the world could now listen to news, music, and entertainment from the comfort of their homes.

In the realm of transportation, Dutch engineer Anthony Fokker introduced the Fokker F.IV, an aircraft designed for long-distance travel. This innovation paved the way for the expansion of commercial aviation, ultimately connecting distant corners of the globe and transforming the way we perceive travel and distance.

Sports and Beyond

Sports have always been a unifying force, and 1922 was no exception. The world celebrated the establishment of the Union Cycliste Internationale (UCI), the international governing body for cycling. This marked a step towards the international collaboration and standardization of sports.

In the realm of diplomacy and global collaboration, the League of Nations continued its efforts to promote peace and prevent conflicts. While its journey was complex and faced challenges, the League represented a critical step towards establishing a forum for international cooperation, foreshadowing the formation of the United Nations after World War II.

Conclusion

As we peer back into the annals of history, the year 1922 emerges as a time of transformation, resilience, and creativity. From the aftermath of a devastating war to the birth of new art forms and scientific breakthroughs, this year encapsulated the human spirit's boundless capacity to rebuild and innovate. Reflecting on 1922 allows us to appreciate the foundations upon which our present is built and to draw inspiration from the accomplishments of the past as we forge ahead into the future.

[ptbf2002]

I'd Rather Star Wars: The Clone Wars Than Star Wars: Young Jedi Adventures Anyday

Original Template: https://www.deviantart.com/mastuhoscg8845iscool/art/What-You-d-rather-watch-than-what-any-day-826100781

Star Wars: The Clone Wars Belongs To George Lucas, Lucasfilm Animation Singapore, CGCG Inc. Lucasfilm Animation Ltd. LLC, Lucasfilm Ltd. LLC, Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia, Warner Bros. Discovery, Inc. Netflix, Inc. Disney+, Disney Streaming, Disney Entertainment, And The Walt Disney Company

Star Wars: Young Jedi Adventures Belongs To George Lucas, James Waugh, Jacqui Lopez, Josh Rimes, Michael Olson, ICON Creative Studio, Wild Canary Animation, Lucasfilm Animation Ltd. LLC, Lucasfilm Ltd. LLC, Disney Junior, Disney+, Disney Streaming, Disney–ABC Domestic Television, Disney Branded Television, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

[buzzdixonwriter]

Art Ain’t A Mirror, It’s A Hammer (Part 3 of 3)

Thanks to rapidly advancing tech, the person on the receiving end of the digital food chain who just wants to be entertained will only need to push a button -- or utter a word, or think a thought, or perhaps not even do that but passively accept whatever the gods of the algorithms decide to present.  AI (or whatever that evolves into) will pick a genre / story / style / cast based on their prior responses to earlier entertainment and generate a brand-new entertainment for them.

As Rick Beato points out, the overwhelming majority of the audience Simply Won’t Care if their entertainment is provided by a real human being with genuine thoughts and emotions, or by a program that can fake it. To be honest, this does open up a new field of content creation, especially for those proficient at screenwriting. 

Writers who can create original highly detailed screenplays -- "directing on paper" in the old animation writing style -- to be translated into cartoons / concerts / short subjects / mini-series / grand operas will find their creativity in demand. This will create a market for brand name writers the same way Stephen King or Danielle Steele are brand names regardless of the actual stories they write.  Audiences will never actually read what they create but will need simply say "Show me the latest David Gerrold story" and it will unfold before them.

The stories can be calibrated for individual tastes and predilections.  The kids can watch a G-rated James Bond adventure where 007 uses a variety on non-lethal gadgets supplied by Q to capture the supervillain while mom and dad can view an NC-17 version loaded down with blood & guts / tits & ass / sex & death.

(Sidebar: Creators will enjoy a secondary revenue stream of product placement, taking fees from companies to have characters use those brands in stories.)

While it will be possible to permanently record any version of any entertainment, a big appeal will be how each retelling will be slightly different, slightly unexpected the same way a play is never performed exactly the same way twice.

It will be a new art form with a new language, a new style.

We can’t leave it to soulless machines and programs.

We need human hearts and minds, thoughts and emotions to hammer out a future culture.

. . .

We’re not going to avoid the intrusion of AI into every aspect of our lives.

It’s already here and we’re already interacting with it.

We are going to see rapid technical and cultural changes as a result.

Remember Mary Quant’s miniskirt.

Nothing prevented anyone from wearing an extremely short skirt before 1963, and some show biz types did wear them when performing.

But Quant said, “Hey, wouldn’t it be kicky to wear this right now out in public?”

Not the deepest intellectual idea ever expressed, true.

But definitely a very human idea.

And it resounded with her audience / customer base.

And they took that silly little piece of fabric and used it to help them change the world.

If no one provides art with ideas, audiences will create their own meaning.

That could mean a golden age if that audience wanted ideas.

But from what we know of human history, the overwhelming majority don’t want to think, they just want to be entertained.

Bread and circuses.

I may be misremembering, but I recall in John Brunner’s classic sci-fi novel Stand On Zanzibar there’s a spaced out druggie couch potato who pops up periodically in the book, watching TV and crooning to himself, “Man, what an imagination I’ve got…”

The irony, of course, is that the character possesses no imagination, hardly even thinks at all.

He just observes the media unfolding before him and utterly fails to grasp the message.

He can attach no meaning to it on his own because he possesses no frame of reference.

We the artists, the creators must stay in the struggle to provide meaning to the world.

. . .

We opened with Dylan, let’s close with Springsteen:

“Outside the street's on fire in a real death waltz Between what's flesh and what's fantasy And the poets down here don't write nothing at all They just stand back and let it all be And in the quick of a knife, they reach for their moment And try to make an honest stand But they wind up wounded, not even dead Tonight in Jungleland”

 © Buzz Dixon

[james-nilsen-misra-film]

Hello Holidays from James Nilsen-Misra on Vimeo.

Director: RaviUdyawar DoP: Peter_Tischhauser_Rapperswil Stills Photographer: Prasad Mahadeo Naik PrasadNaaik Photography Assistant: Manish Mansinh Sampat ManishMansinh Art Director: Lana Goodall Set Decorator, Props : James Nilsen-Misra Music Director: AmarMangrulkar Editor: Ysuf H Khan yusuf_scissorhand

Dad: Saif Ali Kahn SaifAliKhan_Online Mom: KareenaKapoorKhan Son: Sudip Ghose

Costume: Lakshmi Rajesh Lehr LakshmiLehr Costume: Sabina Halder SabinaHalder Costume: Mischell Roche Hair: Saagar Vilas Rahurkur Sagar_Rahurkar Hair: Ioannis Yianni Tsaptori YianniTsapatori Make-Up: Deepa.Verma.Makeup Make-Up: Nilesh Chandrakant Kothavale NileshKothavale Make-Up: Tryna Knock TrynaMakeItKnock

Agency: Whyness Worldwide Chairman & Managing Director: RaviDeshpande1 Vp Creative: Ranjit_Sasidharan Vice President - Business & Strategy: Chetan Vikram Mane

Campaign: Hello Holidays Major Half-Century Rebranding Brand: V.I.P. Luggage Vipstarluggage Advertiser: Vip Industries Head Marketing: Anirudh Anant Pandharkar Brand Head: Aditya Govind Gadiyar Brand Manager: Varun Sunil Arora Brand Manager: Anshul Bhatia Head Activations: Rohit Raaj DGM Marketing International Business: Gautam Saha CEO: Sudip Ghose, Former Exec Dir Marketing Samsonite South Asia

Production Company, Mumbai: Ru Films Executive Producer: Mustafa Chawniwala MChawniwala Producer: Kalpana.Udyawar Assistant Director: ShivangiChauhan1708 Assistant Director: PriyankBhadkamkar Assistant Director: Pulkit Sharma

Exceed Entertainment Exceedentertainment Managing Director: Afsar Zaidi Afsarzaidi Manager: JehanAhmed10

Matrix India Entertainment Consultants Managing Director: ReshmaShetty Director: Vivek Madhav Kamath Manager: PoonamDamania

Production Company, Cape Town: Happy Cat Films FilmsHappyCat Executive Producer: Rachel Young RachelRadicaCat First Assistant Director: VincaCox Line Producer: MurrayJamesMacDonald Production Manager: Philip Townsend Stills Coordinator: Neil Hermann

Post Production Studio: Famous_1945 Post Producer: Charudatt Kurdikar Assistant Editor: RohanKhimani Grading: Nicola.Gasparri Online Editor: Rohit Padwal Sound Engineer: Depangsu Roy Music Recording Studio: Pluggin

[stochastique-blog]

Usefull Stuff

Lil #Ricoflex is jumping out the frame and staying in his lane for #jcaaec

Lil Ricaflex bet Lil Ricoflex that he couldn’t jump the hood of a car. So Lil Ricoflex took up her challenge and jumped the hood of one of Carlos’s cars. Lil Ricoflex you are too cool dude. Stay up. GOD, Universe, Muses, thank U. Peace.

[violetrainbow412-blog]

Dude socks was so domestic and cute and comforting I might cry!! Can I request a sirius black imagine where the reader is like a confident and fun/sarcastic person that is friends with the marauders and has a playful flirty relationship with sirius. They both like each other but the reader is kind of scared of commitment so they always take a step back whenever sirius takes a step forward and sirius finally corners them about it and finds out its readers insecurities and all ends well? Thanks!

She's not afraid [S.B]

Sirius Black x Reader

Word counts: 4.8k

A/N: This was a very entertaining request and it took a while because every day I feel like I'm going to pass out from nausea haha. But writing is super relaxing for me.

I was hoping it would be shorter and now I feel like something was missing, but I hope you like it. Especially you, nonny!

And thanks for your nice comment, I'm glad you liked "socks"

(The title refers to the song of one direction because it reminded me a lot of its lyrics)

"If you had to choose between a chocolate-flavored shit and a shit-flavored chocolate, what would you choose?" he murmured, his voice echoing through the room.

You and your friends were in the common room in the so-called “study group” that Remus had insisted on creating for the Defense Against the Dark Arts class and ended up with topics from the other subjects. It was true that everyone fulfilled the boy's whims, because none had the heart to say no to something (which he often took advantage of) and now every afternoon you met to read some documents, comment on your doubts and practice spells and even potions.

But if anyone couldn't take things seriously, he was Sirius.

The only thing that kept it there was his love for Moony and also the opportunity to watch you study for a full hour. Or watch you do anything, to be honest.

Everyone frowned at Sirius' question, not understanding the nature of it. James, who was the only one who could listen to him, was busy analyzing a herbology book in detail. And by analyzing I mean sleeping on top of it.

“The chocolate-flavored shit, of course. What good would it do you to have chocolate if it tastes awful?" you answered seriously. Suddenly all eyes in the room were on you and most of them seemed half disgusted half confused. "What? Sirius asked" you said shrugging your shoulders and pointing at him with an open palm. The young man grinned widely and you returned the same smile, both of you holding back the urge to laugh.

"I can always trust you, pretty," he said happily. "And now that I think about it, you're very far from me, don't you think? Let me get closer” he murmured determinedly, getting up from his seat with a book in hand and all the intention of placing himself in the same armchair as you. But halfway there an arm stopped him abruptly.

"Go back to your seat," Remus demanded, not looking away from his book. Sirius complained.

"Why?" he said indignantly. You turned your gaze to the notes you were analyzing, but the smile on your mouth didn't fade and Sirius noticed.

“Because having the two of you together is having a time bomb. Go back to your seat,” he murmured just as seriously. Sirius watched him and in the middle of his tantrum he wrinkled his whole face trying to imitate Remus "I can see you Sirius"

"Since you've been a prefect, you have become unbearable," he muttered.

"What did you say?"

"Nothing," he replied like a little boy, dropping on the couch and taking the book from him again in the middle of a snort. You watched him with amusement and he stared back at you, so you mouthed ‘Better luck next time as he looked back at his notes. You felt Sirius's gaze, it was not something easy to ignore, but you tried not to stop yourself from the spirit from passing all the subjects that had suddenly invaded you.

When you couldn't take it anymore you looked up and again mouthed ‘What?’ Trying not to get caught by Remus. Sirius sneakily pointed to a scroll and his quill and you knew what it was all about.

Turns out that Sirius was extremely smart when he put his mind to it and he himself had enchanted a couple of scrolls that only you and he knew about. When you wrote in one, it was reflected in the other and when you finished whatever you were writing this was erased. At first you had not believed him because doing that involved very advanced magic and Sirius was not the archetype of an exemplary student to do that. But once you tried them you realized that you had indeed underestimated the boy and the curiosity to know the most intelligent and creative part of him invaded you. I mean, he was when it came to the pranks but you never imagined a Sirius smart underneath the idler you knew.

Y/N, can I ask you a very personal question? he wrote it. You tried not to sound too concerned and replied:

You can do it, but I can decide not to answer it. It turned out that Sirius was really weird lately and you were worried about what he might say, but usually it was pure nonsense.

The scroll went blank and you waited a few seconds for Sirius's pretty handwriting to appear. You tried not to look at him too much because you knew beforehand that he would get a scolding from Mr. Lupin.

Are you a dementor? he wrote.

You frowned at the words, searching for some logical explanation for his absurd question. Obviously you weren't. Sirius, seeing your confused face, supported a giggle and wrote again.

Because you take my breath away.

You read the words, going over one by one, and couldn't bear the urge to look at Sirius over your glasses with that annoyed look that you liked to fake so he wouldn't notice that you actually liked his scoundrel flirtations.

That was horrible, Sirius.

I made you blush so I don't think it was that bad.

Of course I didn't do that.

Of course you did. He wrote. And you didn't want to look at him because you knew you would just agree with him and blush even more. You look beautiful when you do that, he added. You bit your lip and looked at the parchment for a few seconds just before writing on it.

Stop saying such things to me, Sirius.

What do you say? What do I continue to say to you my best compliments and flattering your qualities? Perfect.

You stifled a laugh and shook it softly, keeping that smile that Sirius loved to observe.

You considered him a wonderful, handsome and kind boy, who was always looking for a way to make you laugh. The spark between you was something that everyone could perceive, including yourself.

I need to study, Sirius. Goodbye. You wrote and that ended your little talk.

For the rest of the hour all your attention was focused on the topics you were studying: Aconite (also known as monkshood or wolfsbane) a mundane plant with magical properties. The name had seemed funny to you and Remus had assured that it had nothing to do with werewolves.

Herbology was a very simple class for you, especially with the help that sometimes the best student in the class gave you: Frank Longbottom.

"Well, the hour is up, do you want to discuss any of the issues or...?" he was interrupted by Sirius abruptly closing the book and who with a wave of his wand put away all his notes "Everyone except Sirius, would you like to discuss something?" he asked, rolling his eyes at the brunette's innocent smile.

You all denied and Lupin ended the meeting. Everyone scattered in different directions, including James who seemed to have magically awakened as soon as the hour was up, but you stayed in the sitting room with your feet tucked up on the red velvet chair.

"What happens?" Sirius asked from behind, not noticing your presence. He jumped onto the couch and flopped into it.

"Nothing, do I need to go where everyone goes all the time?" you asked raising an eyebrow. The boy smiled and shook his head as he leaned on one of his hands, closing the distance between you. "Weren't you the one who was dying to get out of here?"

"Correction: I wanted the session to end, at no time did I speak about the company" he replied and you smiled "Speaking of which, I was thinking..."

"You think?"

“When I want to do it, yes,” he said amused “But let me talk and then you make fun of me. I was thinking that this weekend we are going to Hogsmeade and I was wondering if you wanted to go somewhere "

"Sure!" You answered animatedly and his eyes lit up "Will the others go too?" You continued, but the boy was suddenly disappointed.

"Hmm, I was thinking of something... different."

"Different?"

“Yeah, something like… you know, you and me. Alone”

And with that, you were paralyzed in your place.

You'd been alone with him countless times, just like that time, but it was one thing to chat in his common room or in class and quite another to ask you out at Hogsmeade.

"Oh, sure. Something like… a walk or shopping for chocolate frogs at Honeydukes, right?" you said quickly, trying not to show your nerves.

"Hmm, I could think of something else like Madam Puddifoot's Tea Shop," he said with a smile. You gulped and watched him with concern. That place was usually full of cheesy couples. "Even though I have all those pink things, I could take them if I'm with you..."

"No," you said abruptly. Sirius was silent and you watched his smile diminish considerably. “I mean, no… I don't wish we were alone. We are always accompanied by the group, why not do it now?” you asked with an awkward smile. The boy was close to you and apparently he did not expect that answer, as his face reflected it quite well. But you were too busy with nerves eating your stomach to notice.

"Uh... yeah, I guess I'll tell them then" he exclaimed softly.

"Yes! It will be more fun and we can go for butterbeer if you want. And I could buy you those sweets that you like, what do you say? " you asked trying to sound a little more animated. Sirius was good at pretending and his disappointed look on his was replaced by a smile in an instant.

"Yes, that would be fine" he replied. His hand traveled to your cheek and he ran over it gently, resting at the base of your jaw for a moment. His hands were callused and very large compared to yours "Then we will go with everyone, as always" he sighed. His hand went up a bit and you felt him tug at your earlobe.

"Hey!" you screamed trying to reach for her head to hit her. Sirius dodged it quite skillfully and it made you laugh.

"I think I'll go to my room. See you tomorrow?" he murmured with a tight-lipped smile as he rose from the couch.

"Sure, see you tomorrow" you replied in the same way, watching him walk towards the exit. You released your contained breath and let your head fall against the back of the chair, processing what had just happened.

You were very sure of what Sirius had tried to do and you didn’t understand the reason for your reaction. I mean, you had completely paralyzed shortly after blatantly flirting with the boy. You had had many dates in your life, why would this be any different?

You looked down the hall where Sirius had gone and remembered his disappointed fase. Should you go look for him?

No, maybe it was best to just let it go and gradually he would forget about it. Yes, that would be the best.

You looked at the seat where he had previously been and you also touched your cheek, hoping you could relive the touch that he had given you. For a few seconds you felt guilty that you responded so rudely to his request, but then you simply shook your head to drive those thoughts away.

"I should be sleeping" you thought aloud. You weren't even sleepy and it wasn't even too late, but you imagined it would be easier to lie down on the bed and not think about it anymore.

You took your things in silence and climbed the stone stairs, leaving behind that memory that you hoped would soon be forgotten.

It had been a few days since that incident and luckily things hadn't changed at all between you and Sirius. He really seemed to have forgotten what happened, so the weekend trip to Hogsmeade unfolded in the most normal way in the world.

Sirius was still flirtatious as ever, teasing you and taking every opportunity to be close to you. You liked his company, he made you feel quite calm and you always had something to talk about. If it wasn't this, it was that, and when you weren't talking you were laughing.

"How could you not fall asleep in Slughorn's class?" James asked. His head hung from the ledge where he was lying and played with his glasses. "The only thing that could distract me was Snivellus's voice."

"Don't call him that," Lily said in a stern voice and you snorted.

“Why do you defend him so much? " you asked wrinkling your nose. Lily looked at you just as seriously.

"Because he’s my friend and he does not deserve to be mistreated like that"

"Mistreat?" you asked incredulously “Have you heard him mocking us along with his entourage of snooty Slytherins? Who you should take care of should be that Lucius and Regulus" you said rolling your eyes "No offense, Sirius" you added. The boy was leaning against the wall with his tie unbuttoned resting on his shoulders.

"It's not offensive, it's the truth" he murmured amused, shrugging and giving you a smile.

Lily didn't say anything else, but she seemed annoyed and she didn't speak for the rest of the afternoon. Peter and James started arguing about things you weren't really interested in so you decided to focus on the scribbles you were drawing on a worn parchment.

You felt an extra pressure next to you on the couch and it wasn't even necessary to look to know who he was.

"What are you doing?"

"Nothing" you said simply, keeping your eyes on your scroll.

"Can I talk to you?"

"You are doing it" you replied with a smile. Sirius rolled his eyes and took the quill from your hand, forcing you to look at him.

"Can I talk to you alone?" he asked seriously. Oh no, trouble again...

"Why alone, dear?" you said as a joke. Sirius was too close to you and you tried not to get flustered by it "Is there something you need to say to me that others can't hear?" you asked with a tight-lipped smile, the kind you wear when you're uncomfortable with something.

Sirius cleared his throat and scratched the back of his neck unconsciously. You knew he did that when he was nervous.

"Well... to tell the truth something like that" he murmured with a smile. You felt your heart beat faster "Do you think we can go to my room?" he asked.

"To your room?" you said, your voice an octave higher than normal.

"Yeah, you've been there a thousand times," he laughed.

"Eh, is what you have to tell me very urgent?" you asked. You were a bundle of nerves and you really didn't understand what it was.

"Yeah boo, it's important," he said gently. His hand traveled to yours and took your fingers against his. You turned pale because he didn't say urgent but important.

“So, uh, come on. The faster the better, right?" you expressed nervous. You got up from your place and walked to the bedrooms without looking back. You heard an almost deathly silence in the common room and then laughter, but you didn't have time to look when Sirius was already shoving you from the lower back.

The walk to his room was very silent, the first omen that something bad was about to happen. Once you were in his bedroom he let you in first and closed the door behind you, managing to startle you with the simple sound of the latch.

"Why are you closing the door?" you asked nervously, with the volume of your voice considerably louder. Sirius noticed this and quickly removed the latch he had placed on the door.

"I just didn't want to be bothered, that's all," he said with a frown "You're a bit strange, are you sure you don't mind being here with me?"

"No, no, nothing like that" you rushed to reply, waving your hands in an exaggerated way. Sirius found it cute when you did that "You're the one who's suddenly strange, I'm not"

"Yeah, maybe I've been behaving a little weird lately" he smiled, in that way that reminded you of a child "But I promise you it's for good reason, in fact it's what I want to talk to you about" he started to say.

You panicked, total panic screaming at you to get out of there at all costs. The look Sirius gave you, the nervous posture of him and the way he was smiling at you. You knew what that was.

"McGonagall!" You screamed out of nowhere before he could continue

"Excuse me?"

“I forgot that I have a very important meeting with McGonagall, to see the matter of one of my grades. It is essential that I go today and I forgot, can we have this talk later? " you said clasping your hands in a sign of prayer.

Sirius looked, for the second time, disappointed.

"Sure, school is more important," he replied, trying not to sound affected. You grinned widely and walked in the direction of the exit, eager to leave his room.

"Thank you Sirius, you are an angel"

"I know I look like one, but I'm not quite sure I am," he joked, but his smile was not as bright as before. You laughed in response and stood on the balls of his feet to place a kiss on his cheek.

"See you later, I promise," you murmured hastily, leaving without giving him a chance to say anything else.

"Yes... I can wait" Sirius spoke to himself, with a hurt tone. He released his breath and lay down on his respective bed, staring at the ceiling. He felt something strange in his chest, something that wanted him to cry out.

You walked down the hallways, desperate to get away from the questions he might have asked, and when you were outside your common room you didn't stop. On the contrary, you ran and ran through the corridors hoping that no one would find you.

You didn't stop until you were outside the castle, until you were on the same black lake. And once there, you collapsed to cry.

You entered through the portrait of the fat lady, making sure to remove your shoes first so as not to make noise when entering. It was late and you had spent all day wandering the castle only to never return to your common room, wearing James's cloak so as not to be discovered.

It had been a few other days since you spoke to him and you still didn't feel ready to face him. Especially when, that afternoon, you had come to your room totally agitated and your two companions had bombarded you with questions.

Did he already tell you? they asked. What was he supposed to say? What was that important thing that Sirius was going to do that you had avoided?

The worst thing was that you already knew, that was the reason for your flight. Your mind knew what was going to happen and refused to accept it.

But you had also wanted it, you had been waiting for that question for years and now you were simply hiding from everyone so you wouldn't have to face that change.

"I was wondering where you were," said a voice in the dark, making you jump instead. The fireplace was off and the darkness did not allow you to see well who it was, but it was not necessary because you recognized his words perfectly “Well, I was not wondering where because I have this wonderful map to which we all owe a lot, but I was wondering why” he murmured showing you 'The Marauder's Map'. It was night, you couldn't move anywhere anymore and you knew that sooner or later that moment had to come. Still in the dark you saw the silhouette of him get up from the couch and walk in your direction "Are you avoiding me?"

"Sirius..."

"Of course you're avoiding me," he answered himself. The boy took a step towards you and your reaction was to walk two steps back. Sirius stifled a laugh “That's what I refer. Whenever you seem to move towards me and I get closer, you move further away" he muttered. You thought that maybe he was not only referring to the literal part of the sentence “I don't blame you, but I sincerely wonder why you do it. I am a very curious boy” he expressed somewhat ironic. His words hurt because you knew you couldn't give him an explanation "And you're very smart, I'd say too much, and I'm sure you knew my intentions from the moment I asked to speak to you, right?" he continued. He took another step towards you, you stepped back "Do you not like me? You can say no and I will never blame you, but I would have preferred a no sincere to the uncertainty in which I find myself” he explained. Another step, another step "Won't you say anything?" he asked without losing his temper. You were surprised by how calmly he could react to all situations when you were struggling to stay on your feet.

"Sirius, it's not what it seems" you tried to justify yourself. But the man said nothing, because you knew he wanted a more substantial answer than that. You refused to look at him and felt him take another step in your direction, repeating the previous sequence. But this time you felt your back crash against the stone wall and Sirius's arms at your sides, imprisoning you against it.

You looked at his clothes. He was still wearing his uniform but he looked more scruffy and some items were missing. His shirt had a three-quarter sleeve, thanks to the fact that he had picked it up himself.

"Y/N, please" he spoke in a soft voice "I do not ask you to reciprocate, I only ask you to give me an answer"

"I'm terrified Sirius!" you finally said, in a louder voice "I'm completely scared, what else do you want me to tell you?"

"Are you afraid of me?"

"I'm afraid of how you feel about me" you murmured sincerely. Maybe it was time to be honest with him, because you had no other alternative anyway. He had cornered you to it, literally “It scares me that things will change between us, okay? And I like you too, I like you a lot, but I'm afraid of what might happen next" you whispered without looking at him. The heat that emanated from his body hugged you “I like you to tell me all those compliments, even if I say otherwise. I like when you touch our hands, I like that we escape together from class, that when we walk around the outside of the castle you cut flowers to put in my hair, I like to see you every day and I like the cute nicknames you call me with. I like everything about you, Sirius. And that's why I'm so scared of losing you" you exclaimed with a cracking voice. Sirius kept a pious gaze on you. You could feel a bit of his accelerated breath "I've had a lot of good people in my life who have ended up leaving, I don't want that to happen with you..."

"And how will you know if we don't try, love?" he spoke. His voice came out hoarse and with his hand he gently took you by the chin to force you to see him "You could have told me this before and I would have stopped insisting, or we would have discussed it as we are doing now" you looked at him, eyes clouded with tears restrained, and Sirius smiled at you tenderly "I'm not going to force you to do anything, I never would and I never will. But I would... I would like to have something with you. I really like you and if you don't agree I will respect it, but it would be a dream come true to be able to form a relationship "

"Sirius, I don't know how to do it."

"Me neither!" he said, almost excited and managed to make you smile. He carefully wiped the tears that fell from your cheeks. “We could learn together and I promise you that if it doesn't work, I won't let you. If we are not a good couple then we will be friends again and problem solved. But how about we realize that we are ideal for each other? " he muttered. His thumb left slow and delicate caresses on your face “I don't know how to love either, nobody in my family knows how to do it and that's why I never learned to do it. But… being here at Hogwarts I knew what it was like to have friends, to have friends. I learned that my heart races when I see you and that I also like all those things you do for me. I like you to know what my favorite sweets are and buy them for me, I like it when you detangle my hair, when you force me to study, even if I don't like it, because you care about me. When you know that I am sad and you do everything to cheer me up, even when you call me in horrible ways and make fun of me" he laughed, making you smile too "And if you give me the opportunity I know that I can make you very happy and I would also be very happy to be with you. I planned for many days how to say these words to you, but I think now I speak from the heart when I tell you that I like you like no one else has. I'll take care of you, I promise. And I already told you that if this doesn't work, and you decide that way, we will continue to be friends” he concluded. In his eyes you could see that he was also nervous, that he had the same fear as you but that he was better hiding it "Now, if you want me to list the many advantages that I would have as a boyfriend, then doing it" he continued, with a more naughty tone "Don't pay too much attention to me, but I give some excellent kisses..."

"According to whom?"

"According to me!" he said obvious “If you want to check it I am totally available. I mean, just so you know I'm not a liar," he muttered innocently, making you smile from ear to ear.

"Are you sure about this Sirius?"

"From my kisses? Of course"

"About us, you great idiot," you said rolling your eyes and gently pulling a loose lock of his long hair.

"Ouch! If you are going to insult me ​​and pull my hair like that I would prefer that we were in a more private place, my dear” he murmured flirtatiously, putting one of his hands on your waist and closing the distance between you. You looked away but he forced you to look at him again "Of course I'm sure, only if you're sure too" he replied. You sighed, feeling in your stomach a more pleasant emptiness than the previous ones.

"Then ask me"

"What do you want I ask you?"

"What were you planning to ask for days, silly" you said rolling your eyes. Sirius smirked.

"Can you let me copy your Potions project?" he said pretending to be confused and you tried to free yourself from his grip due to lack of seriousness, but he did not allow it. He took you from behind him, putting his arm around your lower back so that his torsos collided and the space between his faces was minimal. You had to lift your head to watch him, but he also looked down to save you a bit of work. His smile faded, but despite the darkness in his eyes you could glimpse a sample of the love he professed for you "Would you like me to be your boyfriend?" he asked softly.

You would remember that moment all your life, his voice low, his sounding in the middle of the darkness with the question that would start his beautiful love story.

"I wouldn’t like it," you said just as seriously, looking into his eyes with a smile. Your hands went up to the back of his neck and you pulled his face gently to place a kiss on his cheek. He smiled "I would love it"

[classic80sand90smovieloves2]

Private Joker Dating an Artist would include~

(Not my gif)(Requested by anonymous)

- You met James while working on the Stars and Stripes newspaper. You were mainly in charge of illustrations and organizing the way the articles and images would be structured so James; a journalist, spent quite some time by your side. 

- Now, since you were one of the few females stationed in the area, it was quite common for your male coworkers and the soldiers that you met to try and flirt with and/or spend time with you. Normally, you would just be polite and excuse yourself when you could but with James it was different. 

- The two of you had chemistry. He was entertaining, sweet; and devilishly handsome, so you had no problem with his company, especially since it seemed to keep some of the other men that you weren’t fond of away. 

- Since you spent so much time together; and had a lot of chemistry, it was only a matter of time before the two of you got together. And you did, just a few  short months after you first met on the job. 

- You’d been together ever since and neither of you could have been any happier. 

- Don’t know what to draw? He’ll come up with something! Usually, they’re stupid, dreamlike creatures or scenarios that a person thinks of while drunk or high but you can’t say they aren’t creative.

“Okay, so like a squirrel but with human legs. No, no like full sized human legs. Three foot tall human legs under its little fuzzy torso. …And their squirrel arms are really muscular. I want this abomination to look like he can kill me.”

- Little surprises. That new sketchbook you mentioned that you needed. That pen that you loved that ran out. Small things that show you he’s listening and supports what you’re doing. 

- Sometimes, you make him little doodles when you can see that he’s having a bad day. He can’t help but smile every time he see’s them, even if he doesn’t want to be happy. They just always seem to be able to cheer him up, even if it’s just a little. 

- The two of you are just content to sit by each other’s sides and do your own thing next to each other. He’ll write, read, or watch a movie and you’ll make your art and it’s just perfect. 

- He can make like a few genuinely good drawings of things, or do something relatively well if he takes his time and really tries, but half the time his art is really bad and he’s aware of it which is why he’ll draw alongside you and laughingly insist that you “have to see his masterpiece” before showing you the atrocity that he’s committed with graphite. 

- If you ask him about his opinion on one of your drawings, he will put on a sophisticated voice and critique and/or compliment it, using words he doesn’t know the meaning of or just plain making them up as he goes. 

- He hugs you from behind and kisses your head whenever you get frustrated with what you’re making. Sometimes even picking you up and carrying you away from what you’re doing “before you go on a rampage”. 

- Art block? Damn that shit sucks …wanna makeout? He isn’t sure how to help you but he’ll somewhat sympathize and try to resolve the issue; though he doesn’t do so very well. 

- If you ever need a reference photo, he’s happy to go out and take one for you. He may not be as skilled with a camera as Rafterman but he’s still pretty damn good.

- If you ask him to pose for you, he will ask if you want him to undress, waggling his eyebrows and slowly slipping off his coat/unbuttoning his pants; or wrapping his arms around his chest like he’s coyly covering his breasts.

- He’ll tease you when you draw him but he’ll also be extra clingy with you for the rest of the day so you know that he actually really enjoyed that you did so.

- Ever wanted to hang your work up? He’ll gladly frame it for you whenever you ask him to.

- Overall, he’s really proud of you and your work and is one of your biggest fans, even if he doesn’t outwardly show it constantly. 

[fearsmagazine]

McFarlane Films Launches Television Division; Partners with Creators from NIGHT AT THE MUSEUM and BOJACK HORSEMAN

, Emmy-winning SPAWN creator and director/producer Todd McFarlane announced the launch of a dedicated television development and production arm of McFarlane Films. Through McFarlane Films, which has a first-look television deal with wiip (MARE OF EASTTOWN), McFarlane and his President of Television, Sean Canino, identify and develop new emerging talent, creator-owned properties, independent brands, stories, and characters.

McFarlane Films' initial television development slate includes projects from established creators such as Thomas Lennon, co-creator of RENO 911! and writer of NIGHT AT THE MUSEUM; Anders Weidemann, who adapted HBO's BEARTOWN and created Paramount +'s INTERROGATION; prolific graphic-novel author, Sean Lewis; and ShadowMachine, who produced BOJACK HORSEMAN and Guillermo Del Toro's upcoming PINOCCHIO.

"Having been in development with Jason Blum at Blumhouse, along with attaching Jamie Foxx on a potential SPAWN movie franchise, other opportunities both in film and television came forward which led to this expansion in entertainment," said Todd McFarlane, McFarlane Films CEO. "Films, television, and video games are all areas I intend to spend my creative energy on a steady basis.

"I've spent decades succeeding in other business fields, going up against some of the biggest names in those industries (Marvel, DC Comics, Hasbro, and Mattel toys) and have been able to bring to market many successful products and ideas those larger companies were not able to give to consumers. I now intend to take those same creative and business practices into Hollywood full-time."

"As a creator first and CEO of my businesses, I pride myself on finding talented creators and inspiring ideas… then bring them to the world. Two of our newest projects, (one live-action the other stop-motion animation) have talented folks that will help get these new concepts onto the airwaves. Thomas Lennon, Anders Weidemann, Sean Lewis, our partners at wiip, and ShadowMachine are but a few of the folks we've begun this journey with."

A force in the world of entertainment, McFarlane's characters have become wildly popular and critically acclaimed in various mediums. SPAWN has won two Emmy Awards for HBO, and the character of VENOM, which McFarlane co-created, gave rise to the recent feature film of the same name, accumulating a worldwide box office total of more than $1 billion to date.

Beyond film and television, McFarlane has established himself as a multimedia maverick with the Midas touch throughout the past three decades. McFarlane co-founded Image Comics, the world's largest independent comic book company, at which he currently serves as President.  He established McFarlane Toys, one of the world's Top-5 action-figure manufacturers with licenses ranging from the Disney Mirrorverse to GAME OF THRONES.  And, he created SPAWN – the Guinness World Record-holder for the longest-running creator-owned comic book series.

In launching its new television division, McFarlane Films reveals two new premium series in development:

The first is titled McFARLAND, a stop-motion, animated event series created by Thomas Lennon in partnership with ShadowMachine and wiip. The project is described as NIGHT AT THE MUSEUM meets TOY STORY in TWIN PEAKS, which will feature original McFarlane Toys. McFarlane and Lennon will executive produce the series, along with Canino and ShadowMachine.

"It is a good bet that when you combine the forces of Todd McFarlane and Tom Lennon, good things will happen...and that those things will most likely happen in stop-motion animation. We're thrilled to be a part of the fun!," said ShadowMachine's Alex Bulkley.

McFarlane Films has also partnered with wiip and Epicenter (1BR, JUDAS AND THE BLACK MESSIAH) to develop the live-action drama series, “THUMBS”, based on the best-selling graphic novel written by Sean Lewis (COYOTES) with art by Hayden Sherman.  Anders Weidemann will adapt the project. The story follows 17-year-old Charlie "Thumbs" James, gamer and social outsider, who enters an esports tournament hoping to win a scholarship from tech billionaire Adrien Camus' gamer academy so he can get his ticket out of his neighborhood.  “Thumbs” soon finds himself fighting real life and death battles in a covert war between Camus' teenage army and a neo-fascist anti-tech movement that is about to take over the U.S.  Weidemann, McFarlane, and Canino will executive produce, along with Allard Cantor and Jarrod Murray through Epicenter, with Lewis on-board as a producer.

"It's exciting, obviously, and a bit overwhelming as I remember buying Todd's books at my local pharmacy store," said Lewis. "And when someone wants to do your's and Hayden's comic, THUMBS, as a show, whoa! And that person is Todd McFarlane. Wait, what? I've been lucky enough to work with Todd on his comics, and he's a force of nature. He tends to will things into existence. From day one, it's just been forward momentum for this project."

Weidemann added: "The storyteller, father, and gamer within me all fell quickly and madly in love with Sean Lewis' and Hayden Sherman's graphic novel THUMBS, a vividly imaginative, fun-packed and disturbing ride into the not-too-distant future. It's a heart-pumping tale about gaming, the metaverse, and the entire fate of human existence. Simply put, it's one of those stories I'd wish I was able to watch with my 12-year-old son. Hey wait: I will."

"We were looking for a way to bring Sean Lewis's timely graphic novel to life, and we thought entrusting comics legend Todd McFarlane to lead the charge would be a great start," said Cantor and Murray. "We also couldn't ask for better studio partners than ours at wiip, who are some of the smartest and most supportive creative minds in town. So, we turned to accomplished premium series creator, Anders Weidemann, to develop a serialized narrative that will captivate audiences everywhere."

Last June, McFarlane Films announced it is developing SAM & TWITCH into a live-action TV series. Inspired by the iconic characters from McFarlane's Spawn comic, the premium drama series follows detectives Sam Burke and Max "Twitch" Williams as they fight the evils of a near-future New York City. SAM & TWITCH is being adapted by executive producers Jason Smilovic and Todd Katzberg for McFarlane Films and wiip.

"The rare combination of artistic genius and trailblazing entrepreneurship that defines Todd's career over the last thirty years is a true marvel," said wiip's Mark Roybal.  "He is a world-class, award-winning storyteller, a mogul in multiple industries, and above all, a devoted family man. wiip's strategic partnership in television with McFarlane Films, led by Sean Canino, allows us to tap into a pipeline of global IP and collaborate with emerging voices in the comic book world which will bring audiences into new universes infused with Todd's wonderfully twisted vision of the world."

Todd McFarlane and McFarlane Films are repped by CAA.

[letterboxd]

Noir Zealand Road Trip.

Breakout noir filmmaker James Ashcroft speaks to Letterboxd’s Indigenous editor Leo Koziol about his chilling new movie Coming Home in the Dark—and reveals how Blue Velvet, Straw Dogs and a bunch of cult New Zealand thrillers are all a part of his Life in Film.

“Many different types of feet walk across those lands, and the land in that sense is quite indifferent to who is on it. I like that duality. I like that sense of we’re never as safe as we would like to think.” —James Ashcroft

In his 1995 contribution to the British Film Institute’s Century of Cinema documentary series, Sam Neill described the unique sense of doom and darkness presented in films from Aotearoa New Zealand as the “Cinema of Unease”.

There couldn’t be a more appropriate addition to this canon than Māori filmmaker James Ashcroft’s startling debut Coming Home in the Dark, a brutal, atmospheric thriller about a family outing disrupted by an enigmatic madman who calls himself Mandrake, played in a revelatory performance by Canadian Kiwi actor Daniel Gillies (previously best known for CW vampire show The Originals, and as John Jameson in Spider-Man 2). Award-winning Māori actress Miriama McDowell is also in the small cast—her performance was explicitly singled out by Letterboxd in our Fantasia coverage.

Based on a short story by acclaimed New Zealand writer Owen Marshall, Ashcroft wrote the screenplay alongside longtime collaborator Eli Kent. It was a lean shoot, filmed over twenty days on a budget of just under US $1 million. The film is now in theaters, following its premiere at the Sundance Film Festival in January, where it made something of an impact.

Erik Thomson, Matthias Luafutu, Daniel Gillies and Miriama McDowell in a scene from ‘Coming Home in the Dark’.

Creasy007 described the film as “an exciting New Zealand thriller that grabs you tight and doesn’t let you go until the credits are rolling.” Jacob wrote: “One of the most punishingly brutal—both viscerally and emotionally—first viewings I’ve enjoyed in quite a while. Will probably follow James Ashcroft’s career to the gates of Hell after this one.”

Filmgoers weren’t the only ones impressed: Legendary Entertainment—the gargantuan production outfit behind the Dark Knight trilogy and Godzilla vs. Kong—promptly snapped up Ashcroft to direct their adaptation of Devolution, a high-concept novel by World War Z author Max Brooks about a small town facing a sasquatch invasion after a volcanic eruption. (“I find myself deep in Sasquatch mythology and learning a lot about volcanoes at the moment,” says the director, who is also writing the adaptation with Kent.)

Although Coming Home in the Dark marks his feature debut, Ashcroft has been working in the creative arts for many years as an actor and theater director, having previously run the Māori theater company Taki Rua. As he explains below, his film taps into notions of indigeneity in subtle, non-didactic ways. (Words in the Māori language are explained throughout the interview.)

Kia ora [hello] James. How did you come to be a filmmaker? James Ashcroft: I’ve always loved film. I worked in video stores from the age thirteen to 21. That’s the only other ‘real job’ I’ve ever had. I trained as an actor, and worked as an actor for a long time. So I had always been playing around with film. My first student allowance that I was given when I went to university, I bought a camera, I didn’t pay for my rent. I bought a little handheld Sony camera. We used to make short films with my flatmates and friends, so I’ve always been dabbling and wanting to move into that.

After being predominantly involved with theater, I sort of reached my ceiling of what I wanted to do there. It was time to make a commitment and move over into pursuing and creating a slate of scripts, and making that first feature step into the industry. My main creative collaborator is Eli Kent, who I’ve been working with for seven years now. We’re on our ninth script, I think.

But Coming Home in the Dark, that was our first feature. It was the fifth script we had written, and that was very much about [it] being the first cab off the rank; about being able to find a work that would fit into the budget level that we could reasonably expect from the New Zealand Film Commission. I also wanted to make sure that piece was showing off my strengths and interests—being a character-focused, actor-focused piece—and something that we could execute within those constraints and still deliver truthfully and authentically to the story that we wanted to tell and showcase the areas of interest that I have as a filmmaker, which have always been genre.

Do you see the film more as a horror or a thriller? We’ve never purported to be a horror. We think that the scenario is horrific, some of the events that happen are horrific, but this has always been a thriller for me and everyone involved. I think, sometimes, because of the premiere and the space that it was programmed in at Sundance, being in the Midnight section, there’s a sort of an association with horror or zany comedy. For us it’s more about, if anything, the psychological horror aspect of the story. 

It’s violent in places, obviously, but there’s very little violence actually committed on screen. It’s the suggestion. The more terrifying thing is what exists in the viewer’s mind [rather] than necessarily what you can show on screen. My job as a storyteller is to provoke something that you can then flesh out and embellish more in your own psyche and emotions. It’s a great space, the psychological thriller, because it can deal with the dramatic as well as some of those more heightened, visceral moments that horror also can touch on.

Director James Ashcroft. / Photo by Stan Alley

There’s a strong Māori cast in your film. Do you see yourself as a Māori filmmaker, or a filmmaker who is Maori? Well, I’m a Māori everything. I’m a father, I’m a husband, I’m a friend. Everything that I do goes back to my DNA and my whakapapa [lineage]. So that’s just how I view my identity and my world. In terms of categorizing it, I don’t put anything in front of who I am as a storyteller. I’m an actor, I’m a director. I follow the stories that sort of haunt me more than anything. They all have something to do with my experience and how I see the world through my identity and my life—past, present and hopefully future.

In terms of the cast, Matthias Luafutu [who plays Mandrake’s sidekick Tubs], he’s Samoan. Miriama McDowell [who plays Jill, the mother of the family] is Māori. I knew that this story, in the way that I wanted to tell it, was always going to feature Māori in some respect. Both the ‘couples’, I suppose you could say—Hoaggie [Erik Thomson] and Jill on one side and Tubs and Mandrake on the other—I knew one of each would be of a [different] culture. So I knew I wanted to mirror that.

Probably more than anything, I knew if I had to choose one role that was going to be played by a Māori actor, it was definitely going to be Jill, because for me, Jill’s the character that really is the emotional core and our conduit to the story. Her relationship with the audience, we have to be with her—a strong middle-class working mother who has a sort of a joy-ness at the beginning of the film and then goes through quite a number of different emotions and realizations as it goes along.

Those are sometimes the roles that Māori actors, I often feel, don’t get a look at usually. That’s normally a different kind of actor that gets those kinds of roles. And then obviously when Miriama McDowell auditions for you it’s just a no-brainer, because she can play absolutely anything and everything. I have a strong relationship with Miriama from drama-school days, so I knew how to work with her on that.

Once you put a stake in the ground with her, then we go, right, so this is a biracial family, and her sons are going to be Māori and that’s where the Paratene brothers, who are brothers in real life, came into the room, and we were really taken with them immediately. We threw out a lot of their scripted dialogue in the end because what we are casting is that fundamental essence and energy that exists between two real brothers that just speaks volumes more than any dialogue that Eli and I could write.

Matthias Luafutu as Tubs in ‘Coming Home in the Dark’.

What was your approach to the locations? [The area we shot in] is very barren and quite harsh. I spent a lot of time there in my youth, and I find them quite beautiful places. They are very different kinds of landscapes than you normally see in films from our country. We didn’t want to go down The Lord of the Rings route of images from the whenua [land] that are lush mountains and greens and blues, even though that’s what Owen Marshall had written.

I was very keen, along with Matt Henley, our cinematographer, to find that duality in the landscape as well, because the whole story is about that duality in terms of people, in terms of this world, and that grey space. So that’s why we chose to film in those areas.

Regarding the scene where Tubs sprinkles himself with water: including this Māori spiritual element in the film created quite a contrast. That character had partaken in something quite evil, yet still follows a mundane cultural tradition around death. What are your thoughts on that? Yeah. I’m not really interested in black-and-white characters of any kind. I want to find that grey space that allows them to live within more layers in the audience’s mind. So for me—and having family who have spent time in jail, or knowing people who have gone through systems like state-care institutions as well as moving on to prison—just because you have committed a crime or done something in one aspect of your life, that doesn’t mean that there isn’t room and there aren’t other aspects that inform your identity that you also carry.

It’s something that he’s adopted for whatever reasons to ground him in who he is. And they can sit side by side with being involved in some very horrendous actions, but also from Tubs’ perspective, these are actions which are committed in the name of survival. You start to get a sense Mandrake enjoys what he does rather than doing it for just a means to the end. So any moment that you can start to create a greater sense of duality in a person, I think that means that there’s an inner life to a world, to a character, that’s starting to be revealed. That’s an invitation for an audience to lean into that character.

Erik Thomson and Daniel Gillies in ‘Coming Home in the Dark’.

What is the film that made you want to get into filmmaking? The biggest influence on me is probably David Lynch’s Blue Velvet. I saw that when I was ten years old. A babysitter, my cousin, rented it. It’s not a film that a ten-year-old should see, by the way. I was in Lower Hutt, there in my aunty’s house, and it was very cold, and there’s a roaring fire going. My cousin and her boyfriend were sitting on a couch behind me, and they started making out. I sort of knew something was going on behind me and not to look. So I was stuck between that and Dennis Hopper huffing nitrous, and this very strange, strange world opening up before me on the television.

I’ve had a few moments like that in my life [where a] film, as well as the circumstance, sort of changed how I view the world. I think something died that day, but obviously something was born. You can see what Lynch did in those early works, especially Blue Velvet. You don’t have to go too far beneath the surface of suburbia or what looks normal and nice and welcoming to find that there’s a complete flip-side. There’s that duality to our world, which we like to think might be far away, but it’s actually closer than you think.

That speaks to Coming Home in the Dark and why that short story resonated with me the first time I read it. Even in the most beautiful, scenically attractive places in our land, many different types of feet walk across those lands, and the land in that sense is quite indifferent to who is on it. I like that duality. I like that sense of we’re never as safe as we would like to think. Blue Velvet holds a special place in my heart.

What other films did you have in mind when forming your approach to Coming Home in the Dark? Straw Dogs, the Peckinpah film. The original. Just because it plays in that grey space. Obviously times have changed, and you read the film in different ways now as you might have when it first came out. But that was a big influence because there was a moral ambiguity to that film; those lines of good and bad or black and white, they don’t apply anymore. It just becomes about what happens when people are put under extreme pressure and duress, and they abandon all sense of morals. The Offence by Sidney Lumet would be another one, very much drawn to that ’70s ilk of American and English filmmaking.

‘Coming Home in the Dark’ was filmed on location around the wider Wellington region of New Zealand.

Is there a New Zealand film that’s influenced you significantly? There’s a few. I remember watching The Lost Tribe when it was on TV. That really scared me. I just remember the sounds of it. Mr. Wrong was a great ghost story. That stuck with me for a long time. The Scarecrow. Once I discovered Patu! [Merata Mita’s landmark documentary about the protests against the apartheid-era South African rugby tour of New Zealand in 1981], that sort of blew everything out of the water, because that was actually my first induction and education that this was something that even occurred. I think I saw that when I was about eighteen. That this was something that occurred in our history and had ramifications that were other than just a rugby game.

And Utu, every time I watch that, it doesn’t lose its resonance. I get something new from it every time. It’s a great amalgamation of identity, culture, of genre, and again, plays in that grey space of accountability. Utu still has that power for me. It’s one of those films, when it’s playing, I’ll end up sitting down and just being glued to the screen.

It’s a timeless classic. I will admit that when I watched your film, The Scarecrow did immediately come to mind, as did Garth Maxwell’s Jack Be Nimble. Yeah. [Jack Be Nimble] was really frightening. Again, it was that clash of many different aspects. There was a psychosexual drama there. You’ve got this telekinetic mind control and that abuse and that hunkering down of an isolated family. There are plenty of New Zealand films that have explored a sort of similar territory. They’re all coming to me now.

Bad Blood has a great sense of atmosphere and photography and the use of soundscape to create that shocking sense of isolation and terror in these quick, fast, brutal moments, which then just sort of are left to ring in the air. But I love so much of New Zealand cinema, especially the stuff from the ’80s.

Kia ora [good luck], James. Kia ora.

Related content

Leo’s Letterboxd list of Aotearoa New Zealand Scary-As Movies Adapted from Literature

Dave’s Cinema of Unease list

A Brutal Stillness: Gregory’s list of patient, meditative genre films

Sailordanae’s list of Indigenous directors of the Americas

Follow Leo on Letterboxd

‘Coming Home in the Dark’ is available now in select US theaters and on VOD in the US and New Zealand. All photographs by Stan Alley / GoldFish Creative. Comments have been edited for length and clarity.

[chickenbonevfx]

Hacks 2021 Emmy Award Nominations

Hacks stars Jean Smart as Deborah Vance, a legendary Las Vegas comedy diva looking to appeal to a younger audience. Vance's agent sends Ava (Hannah Einbinder), an entitled 25-year old, to help freshen up the material, and Vance begins mentoring her. The comedy series on HBO Max was awarded 15 Primetime Emmy Award nominations including Best Comedy, Best Actress and Best Supporting Actress for Smart and Einbinder. So honored to be a part of this production team that included HBO Max, Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, and 3 Arts Entertainment. Congrats to all the nominees! Here are the list of nominations:

Outstanding Casting For A Comedy Series - 2021

NOMINEE: Jeanne McCarthy, CSA, Casting by Nicole Abellera Hallman, CSA, Casting by

Outstanding Contemporary Costumes - 2021

NOMINEE: Kathleen Felix-Hager, Costume Designer Karen Bellamy, Costume Supervisor

Outstanding Directing For A Comedy Series - 2021

NOMINEE: Lucia Aniello, Directed by

Outstanding Single-Camera Picture Editing For A Comedy Series - 2021

NOMINEE:  Hacks "Primm" Susan Vaill, ACE, Editor

Outstanding Single-Camera Picture Editing For A Comedy Series - 2021

NOMINEE: Hacks "There Is No Line (Pilot)" Jessica Brunetto, Editor

Outstanding Single-Camera Picture Editing For A Comedy Series - 2021

NOMINEE: Hacks "Tunnel Of Love" Ali Greer, Editor

Outstanding Lead Actress In A Comedy Series - 2021

NOMINEE: Jean Smart, as Deborah Vance

Outstanding Supporting Actress In A Comedy Series - 2021

NOMINEE: Hannah Einbinder, as Ava Daniels

Outstanding Guest Actress In A Comedy Series - 2021

NOMINEE: Jane Adams, as Nina Daniels Hacks"I Think She Will"

Outstanding Comedy Series - 2021

NOMINEE: Hacks

Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation - 2021

NOMINEE: Hacks "Falling" John W. Cook II, Re-Recording Mixer Ben Wilkins, Re-Recording Mixer Jim Lakin, Production Mixer

Outstanding Writing For A Comedy Series - 2021

NOMINEE: Hacks "There Is No Line (Pilot)" Lucia Aniello, Written by Paul W. Downs, Written by Jen Statsky, Written by

Outstanding Cinematography For A Single-Camera Series (Half-Hour) - 2021

NOMINEE: Hacks "Primm"

Outstanding Supporting Actor In A Comedy Series - 2021

NOMINEE: Carl Clemons-Hopkins, as Marcus Vaughan

Outstanding Production Design For A Narrative Program (Half-Hour) - 2021

NOMINEE: Hacks "Primm" Jon Carlos, Production Designer James Bolenbaugh, Art Director Ellen Reede Dorros, Set Decorator

About Chicken Bone FX

Chicken Bone FX is one of the finest boutique VFX facilities globally employing up to 80 artists known for 2D technical prowess, highly photoreal FX and hard surfaces integration, and creative global workflow.  The company has grown steadily over 10 years and is attached to some of the industry’s highest-profile series such as Westworld, The Walking Dead, Legion, Krypton, and Godless as well as features like The Highwaymen, To All The Boys 2, and The Kissing Booth 2.  CBFX is TPN certified with artist pools in regions all over the world allowing for versatile pricing in a variety of tax incentive regions plus virtual workforce and technology scalability based on project demand.

[bluegardenwizard]

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